What We Are Listening To...

Sunn O))) and Nurse With Wound

2012-01-26T11:46:00.000-08:00

ØØ VOID is Sunn O)))'s second album, or their first "all in" album (the first recordings they did up to their standards, which in this case, is a 24 track studio recording to 2" tape). It's pretty much exactly what you think of when you think of Sunn O))), a band birthed from the second Earth album: big doomy guitar drones, and very little else. If you've paid attention to any of their later releases, especially Monoliths & Dimensions, then here are the basics. As every brain dead rocker everywhere says, TURN IT ALL THE WAY UP!

It's back in rotation primarily due to a vinyl reissue on Stephen O'Malley's Ideologic Organ label. It's a good one to have on vinyl, since the whole point of droning (besides the hypnotic effect) is the nuance and play of textures, including overtones and undertones, which are best realized with analog playback. The 2 x LP gives a full side to each of the four compositions (playback at 45 rpm for even better depth and fidelity), and the package consists of VERY HEAVY cardboard with beautiful artwork. The only bitch I have is that the heavy cardboard sleeves almost require lubrication to slide in and out, and when you pull the platter out of its sleeve, you need to grasp the edge with your thumb and index finger and really tug, which means you are marking up the edge of the platter. Oh well, such is the nature of sacrifice for aesthetics.

The real gem here is The Iron Soul of Nothing, a collaboration between Sunn O))) and 80's industrial/noise/avant legends Nurse With Wound, in which NWW's Steven Stapleton remixes ØØ VOID. Stapleton gets to the core of the album, picking up various elements of the drone and recutting them for his own version of the same idea. The result sounds more electro and less doom metal, and more dynamic, as Stapleton is as aggressive in his collaging as possible while still remaining true to the drone.

And, as an added bonus, the packaging is much less annoying here than on the Sunn O))) reissue.

With Sunn O))), you know what you are getting, and ØØ VOID is the base level of what you get. The Iron Soul of Nothing is Nurse With Wound's revelatory re-imagining of Sunn O)))'s core project. If either one of these things sounds good to you, you will not be disappointed.

Mega Upload Song???

2012-01-25T14:35:00.000-08:00

I'm so confused. So, wait, these guys LIKE Mega Upload?

I'm such a weak-minded simpleton... all it took was this youtube clip and i'm like "Fuck yeah! I love Mega Upload! What the hell, man?!!"

dc

2012-01-24T18:31:00.001-08:00

2012-01-24T18:21:00.001-08:00

hahaha, is this real?

2012-01-24T18:08:00.001-08:00

LoLooks like the days of the freebie are coming to an end

2012-01-23T13:41:00.000-08:00

I guess with all the MegaUpload madness other file sharing sites are laying low. Many logs I frequent are closing up because their hosts have deleted the goods.

Some blurbs:

http://www.hqhiphop.net/

As of today, Filesonic.com deleted all my files, as well as Ben's and King Skullie's. I had about 800GB of data stored there. It seems that all the filehosts are running scared because of Megaupload's trial and that there is nothing left to do and no other option but to quit. I made this decision as the creator of the blog along with Ben and King Skullie, that the blog must cease to be. There was too much work and time put into the creation of this place to have it all taken away by some greedy corporate fucks.

It was fun while it lasted, please remember this place as the first that started a wave of good material in outstanding quality. These three years spent with this blog have been a wonderful experience that none of its authors will ever forget. Stay strong, and whatever happens, keep your love for the music. You can leave any messages you have for us here.

Farewell,

http://churchofzer.blogspot.com/

Probably as a consequence of the MegaUpload hysteria, it looks like my Mediafire account was wiped out. If this is true and permanent, this entire blog just dried. It may go on and start over... Stay tuned.

25 Songs: White Boy Angst

2012-01-21T23:21:00.000-08:00

White Boy Angst by William Zink on Grooveshark

Enjoy!

Megaupload taken down

2012-01-20T06:13:00.000-08:00

Just saw this story about the key people behind Megaupload being arrested in New Zealand. I had no idea about the whole story behind Megaupload, and I haven't used much of these sites lately since I got on Spotify, but it's an interesting development in the web piracy debate that we've posted a lot about on the blog.

rare footage surfaces...

2012-01-17T18:37:00.000-08:00

More rare than a Sasquatch sighting... videographer Paul Stevenson has recently captured actual footage of the Scoobie Brothers, apparently working on new material in the English countryside.

2012... is it a possible sign of the apocalypse?

Stay tuned, true believers.

dc

I Never Meta Guitar

2012-01-16T12:55:00.001-08:00

Get it? It's a pun.

I found this comp, "I Never Meta Guitar" on Spotify... cool collection of solo guitar tracks in the style of those solo Marc Ribot albums (who is conspicuously absent from this line up).

Features Jeff Parker, Nels Cline, Scott Fields, Mick Barr, Elliott Sharp, plus a bunch of guys I never heard of that Bill Zink is probably up on. Also features Rootless' favorite guitarist of all times... Mary Halvorson. Rootless responds: "I find her cold, devoid of emotion and robot-like."

It's worth adding as a Spotify playlist. I'd also like to take this opportunity to say that Spotify is dope, absolute game changer, but it totally does not "have everything", there are lots of holes in the net, and it is not replacing my iTunes library or my vinyl, for that matter. And its search functionality kind of sucks.

dc

Best of the Best ofs

2012-01-13T07:24:00.000-08:00

Everyone probably has list fatigue at this point, but I thought I'd post one more. I love the end of the year because all of the end-of the-year lists get me hip to so much cool music I might have over-looked. Here are my top scores from all the lists, including off the blog here:

Sandro Perri, "Impossible Spaces": The review I read said he was along the lines of the Sea & Cake, which was pretty accurate, great songs, really cool album.

The War on Drugs, "Slave Ambient": At fist I listened to this album, and past ones, with curiosity. I'm a big Kurt Vile fan and I was fascinated by how alike these guys sound (I'm aware that KV played in this band for a while), and the Americana (Bruce Springsteen, Bob Dylan, Tom Petty, etc.) vibe they have going. Then I was driving the other day and it just clicked and I started just digging these albums for what they are--great music. They're playing Music Hall of Williamsburg on April 6th, just bought tickets.

Shabazz Palaces, "Black Up": One of the dudes from Digable Planets, intergalactic hip hop, one of the few albums in that genre I've been feeling in a while.

Julianna Barwick, "The Magic Place": Sounds like Grouper, which is a good thing.

Zomby, "Dedication": Kind of Burial meets Boards of Canada. Been listening to this a lot.

Julian Lynch, "Terra": The same mellow feel as Sandro Perri, maybe more melancholic, with tasteful horns and bugged-out synth.

Bibio, "Mind Bokeh": Finally checked this out, surprising and interesting.

The Minimal Wave Tapes

2012-01-11T07:34:00.001-08:00

This came out like 2 years ago. It was on my radar, I saw it on the wall at record shops, and it definitely caught my eye (how could it not with that cover?! that typeface?!!) but the blurb of weirdo 80's synth music didn't really get me excited.

The short version, I gather, is a label "Minimal Wave" started putting our these reissues in 2005 of obscure, private label 80's synth gems from around the globe. Stones Throw made a comp and released it a few years ago.

When I saw that Stones Throw announced that Vol 2 is on the way I thought I'd see if I could finally check Vol 1 via Spotify. It's there, and it's dope!

I see it kind of like Numero Group is to funk/soul or Iron Leg blog is to psych/garage... extracting gems from the deep deep underground and sharing to the masses. Except here, instead of funk or psych, it's early Depeche Mode-esque "Sprockets" synths and drum machines. And similar to Iron Leg, a lot of it is so bad that it comes full circle and it's awesome. Also reminds me of the "In The Beginning There Was Rhythm" comp on Soul Jazz, if you feel that.

Check it out (if you haven't already) if anything here sets off your Spidey Sense. I've been doing the robot for three days.

dc

The Kronos Quartet

2012-01-03T20:12:00.000-08:00

I found an old Kronos Quartet mixtape in the basement. It was pretty good, so I thought I would share it. This is fairly light on their minimalist pieces (I wasn't into that at the time), but I think it's an interesting representation. Listen and enjoy!

Kronos Quartet by William Zink on Grooveshark

2011

2011-12-27T13:06:00.000-08:00

Bibio - Mind Bokeh
Monastics - Topography
Clams Casino - Clams Casino
Shlomo - Bad Vibes
Boduf Songs - This Alone Above All Else In Spite Of Everything
Atlas Sound - Parallax
The Scoobie Brothers - The Funkiest Brothers In The Universe
Rothko - Eleven Stages Of Intervention
tune yards - W H O K I L L
Buke & Gass - Riposte
BMSR - Extra Flavor (Dandelion Gum outtakes)
Slugabed - Ultra Heat Treated
Andy Stott - Passed Me By
Fleet Foxes - Helplessness Blues
Junip - Fields
Jürgen Müller - Science Of The Sea

check em out!

-ej

2011 Picks

2011-12-26T09:31:00.000-08:00

This year I got more into older music than any new stuff that was coming out. That said, here are my picks for the best stuff that I heard that came out this year.

-When Saints go Machine, Konkylie
These guys do some really interesting voice-as-instrument stuff, paired with really rich synthetic tones that walk a nice line between the abstract and Depeche Mode pop.

-Obits, Moody, Standard, and Poor
Rick Froberg uses blues-rock to tell you how it is. Yes, it is shitty.

-A Winged Victory for the Sullen, S/T
What would happen if two guys tried to make Millions Now Living Will Never Die after listening to Gorecki's 3rd about a million times.

-Bibio, Mind Bokeh
I imagine that if you replaced the music in all the movie adaptations of Clive Barker novels with something pretty and soothing, this is what it would sound like.

-Junior Boys, It's All True
If we allow ourselves to pretend that George Michael's output dropped off in the '90s not because he was fighting with his label, but because he was hard at work on an only whispered-about masterpiece whose working title was "I Want Your Sex Pt. 3", we can also allow ourselves to pretend that this is the long-awaited fruition of that long endeavor.

-Destroyer, Kaputt
stream of consciousness musing, call a woman's name, drop an f-bomb, repeat.

-Cut Copy, Zonoscope
Men at Work, Paul Simon, others, big bright Australian production.

-Atlas Sound, Parallax
Yes, of course.

-True Widow, As High As the Highest Heavens and From the Center to the Circumference of the Earth

-College, The Northern Council

Favorite new stuff from 2011

2011-12-24T13:41:00.000-08:00

Hey guys! Sorry I haven't been very active here, but i'll really try to do a better job next year!!! Here's a short list of the 2011 records that I liked the most! (in no particular order)

Dakota Suite and Emanuele Errante - The North Green Down
Liro Rantala - Lost Heroes
Francesco Tristano - Idiosynkrasia
Nils Frahm - Felt
Death Cab for Cutie - Codes and Keys
Jd Mc Pherson - Signs and Signifiers
Hauschka - Salon Des Amateurs
Beirut - The Rip Tide
Destroyer - Kaputt
James Blake - James Blake

My 2011 list

2011-12-24T13:15:00.000-08:00

Imaginary Softwoods: maybe I heard some of this in 2010 but I finally got Spectrolite via the DC wax-to-digital, which pre-Spotify was pretty cool. This is just some of my favorite stuff, so beautiful, but stays away from the touchy/feelyness of new age. It makes me want to quietly pass away someday listening to this taking in a Huxley/Leary-like dose of psychedelics. I've probably listened to this hundreds of times this year.

King Krule (formerly Zoo Kid): you see a lot of posts on Facebook of music stuff and if you're like me you skip most of it. a guy I don't even know well posted a video of Zoo Kids' "Out Getting Ribs" and I clicked and have become a big fan. Maybe it was the title of the song, which I don't think has anything to do with anything, that got me to click, not sure. It's just a killer song, low-fi, and the guy's got a cool baritone voice dripping with English attitude. I became more of a fan when I started reading about him and found out he's Archy Marshall, 17 year old, tall, pale, skinny ginger kid who is totally unimpressed with rising success, cold chilling in sweatpants at CMJ and just not giving a shit. Not that much already out there from this guy but check out "the Noose of Jah City" and tell me that shit's not great. He's playing Glasslands in Williamsburg on 1/13 and I got a ticket, psyched for that show.

Grouper -- Alien Observer / A I A Dream Loss: I have really liked all of Grouper's music, her ethereal vocals have soothed my insomniac soul (along with copious scotch) on many an evening, but I didn't take to this right away. But after a little while, sure that there was something that I didn't quite get I began to feel this one too, in the same places. I just found (thanks Spotify!) the part two aspect, Dream Loss, to this.

Aglaia: I don't know that much about this, but I think it's two dudes from Italy. I got a few of their albums in 2011 and now have access to several more via Spotify. Another deep ambient trip, veering towards new age, another great one for the late/early hours, listening brings you back to floating in amniotic bliss, unaware yet ecstatic, great music for drifting off or waking up to.

Real Estate--Days: Another I tried the mediafire trick on, didn't work, and I gave up and sort of forget about but then got on Spotify and now I get to like (that sentence made me dizzy, sorry). An album I definitely wouldn't have bought (maybe if it was $5?) but now I'm more a fan of the band and would really like to check them out live. The music reviewers do a good job describing these guys and their blissed-out suburban stoner vibe and those mid-tempo or slow ones are what I'm most into, in fact I got "Kinder Blumen" going right now as I type this.

Kurt Vile: When I first heard "Smoke Ring for my Halo" my reaction wasn't good, it sounded way more slickly produced than his other albums. And I still don't love the whole record, but its got some of my favorite tracks on there--"On Tour" & "Puppet to the Man"--and the KV EPs that either came out this year or that I just checked out this year further solidified this guy as one of my favorite songwriters. On the Square Shells EP the first track "Ocean City" sounds like a throwback, catchy melody almost campy lyrics, and then he fades in this gorgeous wash of ambient sound, and it's classic KV, beautiful, deep but with darkness and irreverence co-mingled just right.

Ryan Adams: I wanna send this out to my main man DC because I know he's a fan. For real though, this guy is one of the most hated dudes around, both for his behavior (which I've personally confirmed through several direct sources is as bad or worse than what I've read about) and his output, which can be uneven. But forget the inconsistency of his work, some people just hate what this dude is about (you know who you are), straight-forward, alt-country stuff, kind of a modern James Taylor at times. Fuck it, dude sometimes writes great songs. I guess he got cleaned up and leaves out in LA and is married to Mandy Moore and he put out his best album since Heartbreaker this year, Ashes & Fire. If you hate him, don't bother. If you've liked some of his earlier work, give it a listen.

The music piracy/industry stuff continues to be fascinating. I already noted my come to Jesus moment with Spotify on the blog, but that's been a huge shift for me, really. I've gone from trying to accumulate music (which I had been doing, sincerely, really for decades) to paying to access it. It's an amazing world where I can use my phone to instantly pull up a band and check out their album right away. There's still lots of rough edges to the way the industry is evolving, how musicians and people who support them (labels, people who do album artwork, etc.) can make a living, but I mostly think it's an amazing time to be making and listening to music.

Happy holidays everyone and thanks for all the music picks and convo this year.

JH.

DC's Favorites of 2011

2011-12-23T06:51:00.000-08:00

As originally contemplated in the astute post by Professor Peter a few weeks ago, this really isn't the "Best of 2011" list, it's really the "DC favorite’s of 2011" list.

Here are my #3 picks:

#3: BALAM ACAB. I first posted about the See Birds EP last January (I think?), which was great. After that, he had a song on a Beyonce/L'Oreal commercial, and his full length came out to much brou-ha-ha from Pitchfork, The Fader, and I think mainstream Rolling Stone, etc? It blew up is what I'm saying. I can’t lie, it bugs me that this kid is 17 years old and lives in his moms basement, not jealousy, but it affects how I perceive the music. The product is indisputable, however, the music is great. Epic super mellow chill out.

#2: Peaking Lights, "936". Man, what a fucking awesome album. Great album but (along with the #1 pick below) just totally in my personally sweet spot. Groove-based with beats + weird sounds + lo-fi chick vocals. The “press” called this a “dub” album, and I ain’t mad at that. Top shelf A+++ great album.

#1 spot goes too……… DRUM ROLL.............

Forest Swords! OH DAMN !!!! OH DAMN!!!! Forest Swords wins in a landslide. Stripped down beats (like, one tom tom stripped down), dj elements, atmospeheric vocals, but with spaghetti western guitar on top. Just a solid vibe/concept from beginning to end. Best possible album to listen to driving home out of the city late from band practice with half a buzz going. I haven’t done the analysis, but factoring in listens in the car, this has to be what I listen to most in 2011. Fucking awesome album, if you missed it go check it out. Also, it’s on Olde English Spelling Bee records. Rootless gets MVP award for tipping me off, PROPS.

Biggest music related life changer of 2011: TIE, Sonos and Spotify.

HONORABLE MENTIONS go to:
-Dirty Beaches
-Trouble Books with Mark McGuire (this CD is awesome if you missed it)
-Prince Jammy "Computerised Dub"
-Matthewdavid (a little anonymous but i like ti and it got a lot of play, good background music)
-That new Grouper joint(s)

Happy Holidays, guys. Thanks for all your posts and tipping me off to so much great music.
dc

The War on Drugs

2011-12-22T12:59:00.000-08:00

Anyone ever check out this band? I don't know much about them, just quickly checked them out after they made the Pitchfork Top 50 of 2011 list (I will have a list up before the year is out...) and it's cool, kind of the Kurt Vile tip, if you're into KV, sounds like Dylan at times to me too (so does KV come to think of it).

Hark! The Iron Man

2011-12-21T16:35:00.000-08:00

Merry holidaze folks!

2011-12-19T19:56:00.001-08:00

I dig it!

This is great

2011-12-19T13:47:00.000-08:00

http://newalbumreleases.net/41845/blues-control-and-laraaji-frkwys-vol-8-2011/

Blues Control and Laraaji – FRKWYS Vol. 8 (2011)

Here's a review from the internet because i'm too busy/lazy to write one myself.

http://www.residentadvisor.net/review-view.aspx?id=10136

dc

R.I.P. Césaria Évora

2011-12-19T13:05:00.000-08:00

That voice. Oh, that voice...

2011 List of Lists

2011-12-18T16:50:00.000-08:00

I make absolutely no claims to this list being anything other than what caught my attention in a good way in 2011. I wouldn't know if it's the best, and I'm not even sure I care about the concept "best" anymore. Some of the music mentioned didn't even get released in 2011, it's just what I'm listening to. In no particular order:

Tyler the Creator: Goblin Enough ink has been spilled on this already, but I stand by this as one of the most interesting records of the year. And yes, I know you don't agree. So far I like most of what I've heard from OWFGKTA.

Tim Hecker: Ravedeath, 1972 This would be the year that I really started listening to ambient music. 2012 will probably be the year I stop. This, however, is a record I am sure I will return to quite often, along with a few other pieces of Hecker's discography. Other ambiance that caught my attention this year (and is likely to stay in rotation for me): Black to Comm, God Destroyer, Biosphere, Johnny Raper. Listened to a whole lot more ambient music, discovered I really didn't like most of it.

Kurt Vile: Smoke Ring for My Halo A bit underwhelmed by the E.P. that came out later in the year, but Smoke Ring really delivered. I am continually surprised by how much I like Kurt Vile's stuff; it's nothing like anything I would normally gravitate toward.

Death Grips: Ex-military If pressed to pick a favorite record of this year, this would be it . . . I mean, they sample Link Wray, for the love of god. HARD.

Shabazz Palaces: Black Up Smoky, smart, dark, politcal, and funky. Another really nice hip hop number.

Akira Sakata & Chikamorachi: Live at the Hungry Brain
Akira Sakata & Jim O'Rourke with Chikamorachi: And That's the Story of Jazz . . . Free jazz is becoming the new punk rock in the sense that it's getting harder every day to stand out from the masses of improvisers. Sakata's spare, biting alto brings some distinction to the proceedings, and Chikamorchi (Darin Gray, bass, and Chris Corsano, drums) has to be among the best (if not the best) rhythm section currently working. When O'Rourke gets his turn, he doesn't eff things up.

Loren Connors: Red Mars I've listened to Loren Conners for a while now, but this year I really started to listen to him. Red Mars is the kind of music that seeps into your consciousness so subtly that you often don't even notice until its gone.

Boris: Attention Please
Boris: Heavy Rocks 2011 I guess I didn't expect to Boris to become one of the foremost purveyors of disposable pop music, but there it is. The breadth that the band demonstrates is sometimes at the cost of good taste, but I can live with that, overall. Haven't even had a chance to really listen to New Album, their third release of 2011 . . . what I've heard sounds like cheesy theme songs to Japanimation dramas they show late at night on [adult swim], which isn't a good thing. While I like these two albums quite a bit, I really miss the days when they did whacked-out feedback fests and hung out with people like Merzbow and Sunn O))).

Bill Orcutt: How the Thing Sings As a fan and practitioner of all sorts of guitar fuckery, Bill Orcutt is one of my current favorite guitarists. It is tempting to see him as a Derek Bailey-esque one trick pony; but, like Bailey, sometimes when your style is so far outside the norm, it's hard to see where the subtleties are. I'll be curious if I'm still as fascinated several albums down the line, but for now, everything he does is pretty OK by me.

I was going to finish up this post with a few of the things that got on my nerves this year, but I guess I'll not bait all the Das Racist/Sun Arraw/Bon Iver fans this post. Love to you all, and happy Hanukkah/Christmas/Solstice/Kwanzaa/New Year/and any other holiday I may have forgotten to you all.

Admission

2011-12-15T06:53:00.000-08:00

I have to get this off my chest. I like The XX.

I like them, even though they sound like the soundtrack to "Sixteen Candles". Straight up, their song "VCR" was written to play during that last scene when Molly Ringwald finally connects with that other guy that looks like Matt Dillon.

This is music for 14 year olds to hold hands to in their parent's basement. This is music to cry to while you carve your ex-girlfriends name into your arm with an exacto knife.

How about this gem? "I want to drown, when you leave... can you teach me, gently... how to breathe?" Gabe, please help me find a word for this that doesn't start with a "G" or end in a "-AY". This is not music a 37 year old man should be listening to. At least its not Ke$$ha.

But having said that, it's really good shit. I really like Jamie XX's production. I go back to that Jamie XX vs. Gil Scot Heron record a lot, actually.

I came up on this interview with Jamie XX on Turntablelab.com, it's interesting that he shouts out RJD2 "Deadringer" as what got him started making beats/music.

Later. Don't you forget about me...

dc

Clark's 2011 Favorites

2011-12-14T08:34:00.000-08:00

This isn't going to take long... In no particular order:

St. Vincent "Strange Mercy"
She snuck up on me. I didn't really register her prior recordings.

Mogwai "Hardcore Will Never Die, But You Will"
A) Awesome title.
B) First cut is just pure gold with a "hook" that haunts for hours.
C) ... I dunno, just dig it.

Fucked Up "David Comes to Life"
I'm kind of a sucker for the punk rock opus ("Zen Arcade" et al).

Los Campesinos! "Hello Sadness"
Like I said in the Favorite vs. Best thread, I have a weak spot for this band. But, even given that, I think this is a mature effort that shows progress.

The Supremes "More Hits by the Supremes"
Total spotify thing. Just a great comp.

Kings Go Forth "The Outsiders are Back"
Okay, not 2011 (it's from 2010 according to spotify), but still new to me. I dig it. Feels authentic, not intellectually retro.

TV on the Radio "Nine Types of Light"
Really the whole TVOTR catalog for me this year. Like I may have said elsewhere, they're our Radiohead (us being Yanks). Fucking creative as all get out AND they can swing.

Music devalued

2011-12-13T10:15:00.000-08:00

Some thoughts about Spotify from my alma mater, the New School....

http://www.nsfreepress.com/story/music-devalued

How bizarre is this?

2011-12-12T14:12:00.000-08:00

The Mega Upload song

My 2011 list

2011-12-12T12:37:00.001-08:00

Happy holidays everyone and thanks for all the music picks and convo this year.

JH.

Happy Holidays from The Scoobie Brothers

2011-12-12T05:28:00.000-08:00

The new Scoobie Brothers LP! It was originally 47 tracks in 52 minutes... so we edited it down and put together as 5 tracks to stream or download. This is some hot dog style scoobie, all lips and assholes. We present to you... "The Funkiest Brothers in the Universe" LP!

The only physical copies created were the limited edition 5 sided (with etching on side 6) LP set with deluxe packaging which was exclusively sold in Japan, and is now long sold out. You may be able to find a copy on eBay but they are going for north of $400. So if you would like to "own" this you can download it off the Soundcloud page.

Enjoy and have a great holiday!

The Scoobie Brothers

Side A - The Funkiest Brothers In The Universe by TheScoobieBrothers

Side B - The Funkiest Brothers In The Universe by TheScoobieBrothers

Side C - The Funkiest Brothers In The Universe by TheScoobieBrothers

Side D - The Funkiest Brothers In The Universe by TheScoobieBrothers

Side E - The Funkiest Brothers In The Universe by TheScoobieBrothers

access over ownership: one man's saga/capitulation

2011-12-10T15:44:00.001-08:00

So I finally checked out Spotify, went right for the premium option, and it's pretty great. I was never really against it, I just wanted to fuck with DC, and that was pretty rewarding for a while, but it ran it's course.

Over Thanksgiving I decided I'd give myself over fully to the cloud and the idea of access over ownership. I looked into Apple's iCloud service, which for $25 a year allows you to upload your library to the cloud to back it up and access it anywhere you want. Apple will match any song you have, even if you didn't purchase it through itunes and provide uniform quality (so if you have low-quality Mp3 uploaded when you access it via iCloud it will be of higher quality). But it will only upload up to 25,000 songs that haven't been purchased through itunes; I currently have 56,573 songs in my library. So that's not really the best option at the moment.

But Spotify's rad, for $10 it's well worth it. It has me checking out all sorts of things I haven't gotten my hands on. I've been digging deep into the oeuvre of Prefuse 73; dude is so prolific, great stuff, some of his Savath & Savalas stuff I hadn't checked out as well. But I guess some bands are pushing back. I've been waiting for the new Black Keys to drop on Spotify but I guess those dude's ain't playing ball. I see their point, though they are kind of an exception. Actually, probably worth a whole post about the Black Keys right now, crazy that they've literally become one of the biggest bands in the world, well deserved too. Anyway, I'm slowly moving away from my squirrel-like project of trying to get my hands on as much music as possible for my library and now I'm releasing myself to the glory of the cloud.......

The Best vs. My Favorite

2011-12-09T13:14:00.000-08:00

Many years ago, Donnie and I had a discussion centered around whether or not you can think something is your favorite but not the best. This was before either of us had children and we were definitely drunk at the time and those things combined mean that neither of us will remember the details of the discussion (NOTE: This principle does NOT include the Andrew Hat Debate. Not only was it never in my pants, I am certain I never claimed it was. But that's not why you called, is it?)

The basic argument I was making was that it is possible to look at art and separate your objective and subjective views. I believe my example referred to literature (but it relates to all art, music, women, etc.) My favorite book of all-time is Jitterbug Perfume by Tom Robbins. I think it's the perfect combination of cerebral and visceral storytelling with wonderfully developed characters, heart to spare and a perfect ending. However, the best book I've ever read is unquestionably The Great Gatsby. Every single word in that book is exactly as it should be and I don't believe there is any way it could be improved upon. While I know that there are some people who would take issue with Robbins' language and tendencies to go so far off on tangents one forgets what book they are reading sometimes, it works for me. And while Gatsby didn't make me finish it while driving so as to not put it down for a single second (Jitterbug did,) I can appreciate it for the literary perfection that it is.

So why am I going on and on about this on a music blog? Because I've been struggling with this concept in some of the records (or Spotify tracks if we're being honest,) that I've been listening to recently. Specifically, I finally 'discovered' the Mumford and Sons record a month ago. I'd seen the performance on the Grammy's and because I work down the hall from the Rolling Stone folks, I'd been aware of their existence, but never dove in. However, on a recent flight to LA (thank you Delta for having free music as well as a decent free trivia game...SUCK IT guy in 24C, I OWNED YOU!) I was able to listen to the album straight through for the first time. And the second. And the sixth. After I got back home and had played it so many times in my office I considered buying a banjo, I realized I had a problem. But I couldn't shake the thought that I might not actually like it. I mean, it's definitely possible that it's really cheesy, right? I could see myself never listening to it again. But one thing that I knew for sure was that it was awesome. They are clearly good at what they do and I couldn't imagine the record possibly being better than it was. Objectively, I appreciate it. I'm still waiting to decide whether or not I subjectively like it.

Conversely, I am 100% convinced that I absolutely LOVE all of the John Linnell songs from They Might Be Giants. Yes, the early stuff is so horrific on a production level (bad drum machines, bad synths, etc.,) and his partner (the other John,) is so incredibly annoying and shitty that it takes away from my overall enjoyment. But when you get to the later albums where they're actually playing with a band (John Henry and Factory Showroom being my 2 favorites from the period,) the songs that Linnell writes and sings on are, in my view, incredible works of pop/rock songwriting. I love that shit. But it's also entirely possible that it sucks beyond belief. I've almost lost the ability to be objective about it I love it so much.

So I ask you, gentlemen (are there ladies on here?) What are your favorite band/albums that may not actually be good and what are the albums that you KNOW are fantastic but you may not like?

What I've Been Listening To 2011 Edition

2011-12-09T06:32:00.000-08:00

Okay, I'll go first with an end of the year list. I could do a list of my top ten albums/singles that were released in 2011 but it would end up being a bunch of reggae that I'm sure wouldn't be too interesting to the rest of the group here. Instead, here's a list of what's made the biggest impressions on me this year - including some new stuff but a lot of older things that I'm either rediscovering or discovering for the first time. I thought it would be more interesting than a list of reggae nobody's heard of before. The list is not in order of preference, just a list.

10) Cream - Disraeli Gears - Never heard this album before this year...except for one track they played on Buffy the Vampire Slayer. I like this one a lot better than Fresh Cream , which was my only previous exposure to Cream. And if you're curious, they played "Tales of Brave Ulysses" on BtVS. I still think Clapton turned into a wanker but I appreciate him a bit more after hearing this record.

9) David Crosby - If Only I Could Remember My Name - When I'm out digging through the stacks I always keep an eye out for records that have Jerry Garcia on them (yeah, yeah, save it - I've heard it all before). I fell in love with this record from the first drop of the needle. It captures a certain rock/country-ish vibe that appeals to me. Love the long track "Cowboy Movie" on the first side.

8) Misfits - S/T compilation - For whatever reason I never checked out the Misfits in my youth. I listened to many punk/hardcore bands back in the day but never them - what a mistake! I've been making up for lost time by cranking their 1988 self titled compilation frequently. I want your skull, indeed!

7) David Bowie - The Rise and Fall of Ziggy Stardust and the Spiders from Mars - I'm a casual fan of Bowie and checked this one out from the library this year. I was a little surprised I liked it so much - especially "Moonage Daydream" - put your ray gun to my head...

6) Rolling Stones - Tattoo You - I was already kind of a late comer to the Stones and had sort of dismissed later (can early 80's be considered later?) Rolling Stones. I was in love with their earlier stuff like Aftermath and Out of Our Heads. Someone on Facebook made a post saying Tattoo You was the best Rolling Stones album and, even though I'd never heard it, took umbrage with that opinion. It so happened that the next weekend at the flea market there was a minty copy in the dollar record section of a booth I frequent. I don't know if it was fate or whatever but I gave it a listen when I got home and now I almost agree that Tattoo You is their best...almost.

5) Me First and the Gimme Gimmes - Go Down Under - This was actually released in 2011..I just wanted to point that out! The latest from this punk "supergroup." The group is comprised of people from Lagwagon, NOFX, No Use for a Name and one or two other bands. If you aren't familiar with the Gimme Gimmes, their schtick is to do covers of familiar tunes in a punk style to great result, at least in my opinion. They've done show tunes, country music, 60s rock, 70s rock, etc - this release, a 2 x 7" set, is comprised of covers of Australian bands. Love it....and now I know Australia's to blame for Air Supply - something I hadn't know before.

4) Ahmad Jamal - Portfolio of Ahmad Jamal - I really could've chosen anything by Ahmad Jamal but I listened to this one most recently so I went with it. He's just such a force on the piano - swinging but mellow. His playing oozes emotion and the blues.

3) Disrupt / Tapes - Events Occur in Realtime / Atomica Rydim - Another release from 2011, albeit early 2011. Disrupt is easily my favorite current producer and he really shines on this 7" b/w his buddy Tapes (whom my love and respect for is growing). Events Occur is a speaker tester as the bass is unreal. I would love to hear this played out on a good club system - it might shake the building down. I kind of over looked the Tapes side for a while because I was so crazy about the A side but my appreciation for it has grown now that I revisit this release. This was put out by Police in Helicopter - another great German reggae label.

2) Black Chow - Wonderland - I made a post about this one earlier in the year. Haunting vocals by both the Japanese singer on the title track of this 12" and by Pupa Jim, a Frenchman, on the track "Signs." Another great Jahtari release - and it's from 2011 too!

1) Nicodemus - Serious Nicodemus: Nicodemus Meets Roots Radics at Channel One Volumes 1 & 2 - More reggae for the list. Dancehall at its finest. Nicodemus is the real deal - heavy, heavy heavy shit. These two comps may have catapulted him to my favorite dancehall artist - every track on these records sounds fresh and vital.

So there you go - my list for 2011, which was another shitty, shitty year for me personally but which has started to improve a bit towards the end. Hope everyone has a merry holiday season and a great 2012.

Respect,

-matt

Rhys Chatham

2011-12-06T23:15:00.000-08:00

He'll do the same thing with gongs and trumpets he does with guitars. Rhys Chatham just doesn't give a damn.

Drone with a capital "D", mesmerizing with a capital "M".

Ryhs Chatham - An Angel Moves Too Fast To See: Selected Works 1971-1989

Typically great commentary from the top-notch GLOWING RAW blog, so I'll leave the rest up to him, ~~other than to say that Chatham, along with Branca, formed the baseline that Sonic Youth built from~~. On second thought, I won't say that . . . because, as much as I love Sonic Youth, such statements only diminish the music of Rhys Chatham. So, do yourself a favor, check out the Glowing Raw blurb, and listen to this album.

A-ha!

2011-12-06T05:05:00.000-08:00

I love that "A-ha" moment when you hear the source material of some famous sample...

c/o Matt Varnish....

dc

Quilt

2011-12-01T10:15:00.001-08:00

Another gem I saw on Altered Zones.

This is like a hipster Peter, Paul and Mary. Or maybe The Free Design (if you feel that). 60's pop sensibility and three part harmonies. Really great, I think I just hit the "over 10 listens in 24 hour period" mark.

I listened like 5 times before i googled them to put a face to the name. Amazing that what I'm listening to is produced by a three piece, but if you listen closely it checks out. It all comes across with zero irony, and, look at those pics... They're adorable! I want to give them a big hug and say "you knuckleheads! Keep up the good work!"

Everyone go listen to their one LP on Spotify 100 times so they can get $20 bucks.

dc

Multiply

2011-11-30T11:51:00.000-08:00

Great jam, dub production care of Sun Araw's reggae side project Duppy Gun Productions. Plus video sent from deep within the gooby dimension. I couldn't find it on Spotify so i bought the 12" on vinyl (I feel like it is a noteworthy event now when one spends $$$ on music).

I found this on Altered Zones, my go to spot for off the radar lo-fi bug out shit, which, sadly, is R.I.P. as of today.

Frowny face.

DC

You may want to write someone...

2011-11-28T12:13:00.000-08:00

http://fightforthefuture.org/pipa/

DJDM Mix

2011-11-22T07:00:00.000-08:00

Here's a mix i made last year, lots of West Coast stuff, Stones Throw B-sides, etc...

Trying to get my SoundCloud game together:

DJDM Left Coast MIX by TheScoobieBrothers

dc

Aloe Blacc

2011-11-21T08:18:00.001-08:00

Just want to take back what I said about Aloe Blacc, EJ hooked me up and it's cool, got a Marvin Gaye feel to it, like it a lot actually. Thanks, E.

PREHISTORIC

2011-11-19T07:04:00.000-08:00

Thought these pictures were worth a quick post, venues with 2 spaces make for funny marquees. Saw these dudes in Indy a few nights ago (not really with Barney) and it was a great show. I know there are only a few metal dudes on here, for my money Mastodon is state of the art metal in 2011. They were excellent live, really solid and up in your bizness. The other bands were Dillinger Escape Plan, whom I made myself appreciate even though it was tough going, and Red Fang. I would highly recommend Red Fang to anyone into Mastodon or that type of stuff.

Wanting to do my part I wandered over to the merch table (mediafired their last couple of releases, though I shelled out for deluxe editions of everything earlier) and quickly wandered away when I saw the prices. In the same way Rootless wants $5 albums, I want $20 or under, not $30 and up, concert shirts. In retrospect it would have been cool to have a Mastodon beer cozy for only $5 but it didn't hit me at the time.

My friend at the show with me, who doesn't download stuff, pointed out that if everyone bought their albums maybe the shirts would be a little cheaper. Um, yeah, kind of got me with that one...

45:33

2011-11-17T22:00:00.000-08:00

Never thought I'd say it... but... LCD Soundsystem. 45:33. Apparently great for late-night software releases. Who knew?

Steve Hauschildt: Tragedy and Geometry (Kranky)

2011-11-17T11:45:00.001-08:00

Pretty, bright, repetitive, unobtrusive, chunky synthetic music. The cover art is right up my alley, too. Who says you can't judge a book by its cover? Since I stopped reading music reviews, I pretty much only listen to new music based on band name, cover art, and album title. Didn't steer me wrong on this one. OK, seeing that it was on Kranky was definitely a factor.

Feel The Excitement (tm)

2011-11-16T17:51:00.000-08:00

Notes from the lab.....

The Scoobie Bros are in the studio working on a new LP coming your way in time for your holiday parties...

dc

Just upgraded to Spotify Premium

2011-11-15T13:52:00.001-08:00

I'm lost... does this make me a good person or a bad person?

dc

New Kurt Vile EP

2011-11-14T14:59:00.000-08:00

Hahaha, KV is one of my favorites, gotta love this cover, apparently it's real, he's totally passed out at a party. I'll check out anything this guy does, hopefully it's more on the dark and introspective side of his work.

Best of 2011

2011-11-14T14:18:00.001-08:00

Unless something comes along and melts my face away in the next 2 months, I think I pretty much have my best of 2011 list all set to go... do you?!?!!

I know you are all twitching in anticipation, but you'll have to wait. My work may have the Christmas decorations up before Thanksgiving, but the end of list cannot go live before mid-December. WWALT rule.

D-Styles

This came out yesterday.

2011-11-09T06:39:00.000-08:00

And here it is streaming from the NY Times. Did anyone hear him do the KEXP sponsored show at the ACE Hotel in his pajamas? KEXP was streaming it online. I don't think he finished a single song.

another music industry post

2011-11-04T06:33:00.000-07:00

Sorry, but can't resist. I've been watching the show "How to make it in America" and the theme song is slamming. "I need a dollar" is by Aloe Blacc and when I heard he was on Stones Throw I wanted to check out more. The mediafire trick didn't work for his two albums, captaincrawl searches got me nowhere, so I sat at my computer thinking about actually purchasing dude's album. And I was there because Stones Throw does a good job policing the interwebs to make sure none of their shit is available for free. And good for them, I suppose. So I check out Blacc's most popular songs on youtube and they sound like car commercials, or really lame snippets from romantic comedies. I'm so glad I didn't drop $10 on dude's album. This post would really just be an angry rant in that case. But then I decided to check out Harmonizer, cause my man DC knows my tastes and if he shouts that shit out to me I'm on it. Can't find it on the mediafire tip, but guess what? It was available off that link DC posted for $3.60 for the album! My price-point! Got out my credit card and boom, I'm the proud, legitimate owner of Harmonizer's "World Complete" (which definitely owes a huge debt to Jon Hassell). I really feel that if albums are around $5 I'd spent a lot more of my disposable income buying albums.

Roedelius Schneider: Stunden

2011-11-03T14:18:00.000-07:00

Long, excited, reverbed piano tones, buzzy clicky sonic fog beneath everything. German and spare. Algorithmic. This is a collaboration between Hans Joachim Roedelius (a member of my favorite Krautrock band, Harmonia, a member of Cluster, Brian Eno collaborator) and Stefan Schneider (a member of my second favorite Krautrock band, this one active since the '90s, Kreidler).

Roedelius Schneider: Stunden (Samples) by Bureau B

Harmonizer

2011-11-03T12:56:00.000-07:00

Here's a good 'un... Harmonizer.

Here's the blurb on their EP "World Compete":

"On WORLD COMPLETE Harmonizer boggles brains via the storied terrain that Jon Hassell once charted, adding sub bass, magic eye loops and some fusion gomf that is makes them decidedly more On The Corner than Aka-Darbari-Java. But who needs to be convinced about a band named after the most dramatic stompbox of the late 20th century."

You had me at "Jon Hassell". Pretty good shit. Rootless, you will be all over this.

I heard about them on Altered Zones, which has a cool remix by matthewdavid up. Here it is.

Doing the work so you don't have to since 2008...

The Chizzle

What I'm listening to right now (this second)

2011-11-02T12:39:00.000-07:00

Damn it, I had every intention of this actually being an uber-meta post about what I was listening to right this very second, but then Phantogram's EP "Nightlife" finished. I clicked the little button on my headphone because I thought I paused the album and it randomly cued up a song from Woods so I decided to check out their album "Sun and Shade", because I don't know that one that well and I like their other stuff. So that's what I'm listening to right this second....

Anyway, Phantogram is pretty cool, duo, both of them sing, but the chick's voice is what's hot (actually she's pretty hot). I like the dark brooding stuff more than the uptempo tracks, but that's pretty much true of almost everything I listen to.

Yeah, with all the politics on the blog, and literary references, and show promotion, I thought I'd bring it back to the old school WWLTN days, what I'm listening to right now. Have I made that clear? So here are some other bands/albums in heavy rotation (I just got an office, moving up in the world, so now I can listen to music easier at work, which is pretty awesome):

St. Vincent, "Strange Mercy": I checked another album, Actor, and it was okay, but nothing that great. I guess she used to be in Sufjian Stevens' band. To me she's kind of on the PJ Harvey tip, but she probably gets that a lot. But this new album jumped out at me right away. The first track "Chloe in the afternoon" is kind of punkish and she pulls off the awkward timing of the chorus really well, makes it catchy. The title track was the first thing that really hit me though, the song pivots on a breakdown and when it comes back she sings "If I ever meet the policeman who roughed you up.... I don't know what," and there is something fierce and beautiful about the words and how she delivers them. You know the way you associate an album with a time and place? Well, I just got back from China and this album will always remind me of riding around in Chinese taxis with the drivers picking their noses with their long yellow fingernails as I gazed out the window and pondered what a filthy, seething place China is.

Zoo Kid: some dude posted something on facebook with a video for "Out getting ribs" and that shit has me hooked, really authentic, kind of low-fi, check it out.

Susuma Yokota and Rothko: I'm pretty sure they made an album together but I couldn't find it online and I hate spotify soooo much that I haven't checked it out. But have checked out each of these acts, though SY not so much yet, but cool ambient, Japanese music. Rothko is kind of post-rock, but really mellow, and with two bass players, good stuff.

Sunn O))), "Oracle": I listened to this album yesterday when I needed to concentrate on something and it was really working for me, not what I typically listen to--DOOM--but it's not fast, just brooding sludge with that Lucifer voice. I think I'm going to have nightmares from that shit or go kill a puppy or something.

Apparat, "the Devil's walk": I like this album, though it could get tagged by certain people who post on here with the controversial "gay" label. Definitely on the M83 tip, if you're feeling that check this out. I've got a few this guy's records and I like it when he goes fully instrumental, but this one is cool too.

Finally, shout out to EJ for posting about Shlomo and Plastikman, been listening to both of those a lot, especially Shlomo. And DC for hooking me up with Imaginary Softwoods, that was as good as advertised.

Future of Record Stores...

2011-11-02T10:38:00.000-07:00

Interesting post from Matador Records that seemed apropos given the long Spotify discussion a few posts ago:

http://www.matadorrecords.com/matablog/2011/11/01/indie-record-stores-closing-and-opening/

"Record stores are becoming less commercial entities and more cultural ones".

Also, vinyl sales at highest in 6 years: http://www.digitalspy.com/music/news/a346371/adele-radiohead-cause-vinyl-sales-to-increase-by-40-percent.html

dc

An Oral History of Grunge

2011-10-31T15:47:00.000-07:00

I just started reading this... it's actually pretty entertaining so far.

I'd let you borrow it when I'm done but it would be unfair to the author, taking food out of his family's mouth, etc...

I'm waiting for the part where it gets to the formation of the greatest grunge band of all time, ZAO.

dc

2011-10-28T22:45:00.000-07:00

Australian punk on Fat Wreck Chords.

The Seven Fields of Aphelion

2011-10-28T06:48:00.000-07:00

I have gotten like 20GB of "ambient" music from Rootless... basically the spectrum from like new age wind chimes type shit to minimal electronic bleep bloop type stuff.

Like any major data dump, a lot of it gets lost in the shuffle, but even more so for this particular genre where the music itself doesn't stand out especially. Is that wind chime melody that's stuck in my head Ituske Daiiichi? Or Dichu Miuske? (I made those up, but you get the gist).

But, again like any major MP3 kick down, certain things rise to the surface. That's what happened with The Seven Fields of Aphelion. While most of the other ambient joints got removed from my iPhone, and many got removed from my iTunes, this one stayed in the rotation. Not sure why, it has a different texture or palette... semi-weirdo synth textures but with beautiful piano on top.

Finally this week (after listening on repeat several times while trying to sleep off a hangover on my commute) (and then continuing to listen on Spotify once I got to work) I decided to google them and see what's up.

You can imagine my surprise when it turns out "they" are actually just one chick who happens to be a member of Black Moth Super Rainbow! I can't lie, I liked this album but that makes me like it exponentially more. EJ, this is the chick who was on stage with Tobacco that one time when we saw them in Williamsburg.

Here's her site... she is also a photographer, I like her stuff, you can buy it on Etsy.

My wife said "what is this new age shit?" when i played it at home, but still, I definitely recommend checking out her CD "Periphery", be it on Spotify or for those of you with more integrity you can buy a copy direct from her to make sure she gets maximum $$$ to her pocketbook. Maybe steal the CD off MediaFire but buy one of her pictures off of Etsy.

The Dizzle

For Chicago People

2011-10-26T15:45:00.000-07:00

I think there are a few Second City denizens on here, so I'm posting this flier. Some friends of mine are doing Wipers and Dag Nasty covers at Quenchers on Friday, so I plug for friends, yes? Should be good time, no? Hey chief, why not?

True Widow, "As High As The Highest Heavens And From The Center To The Circumference Of The Earth"

2011-10-26T15:37:00.000-07:00

If Torche were Sonic Youth, and Sonic Youth were the American Analog Set, and they in turn were a very pensive stoner metal band (or if they in turn were Torche again), that whole process of sleight of hand would constitute this band, True Widow. Slow walking rock from Austin. I've been listening to little else this week. This one is pretty easy to find out there (and two of their records are on the feted/hated Spotify). I also have a few versions of their tracks that I sped up using the time stretch function in Logic until they sounded more conventionally metal to me. If anyone wants to hear those, I'll get them to you.

Seeing War on Drugs tonight, Shellac tomorrow, and I saw the new Replacements documentary last Friday. This is a good music week for me.

Here's a Tres MTV video from these guys:

Topic

2011-10-21T06:09:00.000-07:00

Just read this little blurb in a local music rag about Spotify. I'm too lazy to copy verbatim but the gist of it was Century Media (big metal label fyi) pulled most of its music off Spotify because of the abysmal royalty percentages. The example given claims one artist was paid $500 for half a million streams, which breaks down to needing to get played 244 times to equal one 99 cent iTunes download. And then there is the advertising revenue.

Any thoughts? Seems like the old bricks and mortar boss has been replaced by the cloud boss? I know most of us on here are thieves anyway, but I thought it was interesting.

Asa Irons & Swaan Miller

2011-10-20T10:38:00.000-07:00

I'd like to highly recommend this album. Asa Irons & Swaan Miller.

It's on mediafire, but only as FLAC, and i don't relaly mess with that.

It's worth finding. Stipped down acoustic singer songwriter tunes but really excellent.

dc

Real Estate: Days

2011-10-19T08:10:00.001-07:00

Anyone else loving this?

Group Inerane - Ano Nagarus

2011-10-18T13:24:00.001-07:00

I love shit like this:

Comps

2011-10-18T09:07:00.001-07:00

Who gave me "The Mighty Mellow" comp? Pete? I think it was you, and I think I also got like 10 Funky Latin Boogaloo Funk Compilations from you.

Anyway, "The Mighty Mellow" was doing it for me last night. Nothing too rare but a great collection of jams to wash the dishes to.

What are some stand out comps that have stood the test of time for y'all?

This is pretty random, but Give 'Em Enough Dope Vol 2 ("acid jazz" comp from mid-90's) has always been a high water point for that particular genre.

100% Dynamite comps and Studio One comps on Soul Jazz Records are also pretty timeless.

Comps! Am I right?!?! Discuss.

dc

"A Bird in the Bush"

2011-10-13T09:57:00.000-07:00

Record Sale Saturday

2011-10-12T18:16:00.000-07:00

I'm having a Brooklyn Stoop Sale Record Sale on Saturday, just like the old days. Camping out on my friends stoop. Everything is $5.00 bucks. Grab a big stack, I'm ready to wheel and deal, bulk discount. 11th Street between 7th and 8th Avenues, 10:00 AM, Saturday Saturday Saturday!!!

As I've been going through records to sell I've been working on a killller all vinyl psych mix tape. Holla at me and i'll send it to you, but may have to be via the post office because i think YouSendIt raised their prices (I hear through the grapevine)?

If you know anybody who likes records in BK tell them to check me out. DC~! DC!@!!!!!

Agent K: Feed The Cat

2011-10-11T12:08:00.000-07:00

I heard this track on the Dj Stunna SoundCloud page; more about him later. UK multi-instrumentalist and producer Kaidi Tatham aka Agent K. He comes out of the West London breakbeat scene.
2002 release Feed The Cat is badass! It has been catergorized as broken beat, electronica, and electro-jazz among others. I think it is a merge of Jazz, House, and Funk. Time to get groovefied(new word) y'all! Young Deezy I think you might dig this, or maybe you already have it!

More Jahtari

2011-10-10T20:48:00.000-07:00

I'll just keep pimping Jahtari because they keep putting out good shit.

Love the Scientist style cover for the new Solo Banton EP.

There are starting to be a few offshoot labels now. Soom T has Renegade Masters that just put out a decent 12" by The Source which is Soom T and Disrupt. It's not a home run but decent. It will probably grow on me but doesn't connect like most Disrupt stuff.

Soom T also released a 7" on Livity Reggae this year. A solid effort.

Another Jahtari artist, Tapes, has Selah Wadada and they just put out a great 7" with a wicked version by Tapes on the b-side.

It's probably safe to say that Tapes was behind the white label 7" stamped with Selah Waddada (note the extra "d") that came out earlier this year. I'm pretty sure I posted about it here.

And as always, if you want to hear any Jahtari stuff they have almost the entire catalog available to stream on their site.

My Guitar Wants to Kill Your Momma

2011-10-09T12:33:00.000-07:00

Youtube

This was always my favorite track off of Weasels' Ripped my Flesh (a weird album even for Zappa). This is a great song to have stuck in your head at almost any time...

RIP Bert Jansch

2011-10-08T14:05:00.000-07:00

Saw the obit in the NY Times yesterday...thought the man deserved a shout out.

"I Am Not Myself" by Monastics

2011-10-04T10:03:00.001-07:00

Video for hit single off the new album.

dc

A Winged Victory for the Sullen

2011-10-04T08:15:00.000-07:00

A Winged Victory For The Sullen (album teaser) by erasedtapes

A Handful of Scree

2011-10-02T23:01:00.000-07:00

Bill Orcutt is getting some play these days, and good for him. The ex-Harry Pussy guitarist is shredding on an acoustic guitar (shredding not here referring to the idiomatic Yngwie Malmsteen shred), and blowing it up with a Derek Baileyesque breakdown of the blues. His latest is How the Thing Sings, recorded live in SF. It is available on Spotify.

Yeah, those are Stevie Ray Vaughn picks on the cover. I think they are apropos. However, I have no sense of irony left. It has gone the way of my hearing.

* * * * *

An pal from the Bloomington days, Eric Weddle, runs a really swell record label known as Family Vineyard. Every so often, when I want to get something cool in the mail, I put in an order, and Eric usually throws in a few nice little extras. The last order started with Loren Connors's Red Mars. Connors also deconstructs blues, but comes at it from a very different angle: as radical as Orcutt, but much (much!) quieter on average, Connors's guitar gestures seem to spread almost subliminally over space. There isn't any pyrotechnics here (though Connors won't avoid aggressive atonality, if he thinks it's called for), and you find yourself discovering all kinds of interesting space . . . you sit and listen, waiting for something to happen, only to discover down the line that a unified piece has developed almost without your noticing it. I highly recommend Connors; but, like Orcutt, he is definitely an acquired taste, even if the approaches are almost opposite.

Give it a try . . . let it sneak up on you. Also available on Spotify.

* * * * *

Also in the package was a wonderful, free blowing record from saxophonist Akira Sakata and guitarist Jim O'Rourke. The rhythm section on this one consists of Darin Gray and Chris Corsano (at this point, I'm the only noise guy in the world who hasn't recorded with Corsano), a.k.a Chikamorachi. It's a free blowout of high caliber, and if that sounds like a good deal to you, then you should check it out. It is, indeed, on Spotify.

* * * * *

I also ponied up for O-Type's Lugubrious. O-Type is an MX-80 spin off centered around the ambient bent of bassist Dale Sophia, and features Bruce Anderson (another shredder, whose idiom is somewhat closer to Yngwie Malmsteen, but still a fair distance away) and a handful of other MX-80 fellow travelers.

I've been a part of a couple experimental music festivals this summer and fall, and I've had to sit through an unbearable amount of horrible ambient music . . . which is extra painful, since it is a music that I am becoming more interested in. I've run across some good stuff - Tim Hecker, Black To Comm - and some bad stuff, which I will not dwell on, since I've met them and they seem like perfectly nice people. If you were to search for O-Type's Lugubrious, you will find a Pitchfork review which encapsulates much of what I find wrong about ambient music. Problem is, I don't think it applies to this record: drifty and aimless at parts, it nonetheless has some nice texture, and some parts that smack you right in the forehead. Lugubrious is not the first ambient record I would recommend, but if you like this stuff, give it a listen.

Indeed, nothing on Spotify (or anywhere else that I can find), so enjoy this YouTube video instead.

YO

2011-09-30T21:12:00.000-07:00

Sorry I haven't posted in a long, long time.
I've been listening to lots of stuff, and just thought I'd share a couple things of late that have really stood out for me:

Plastikman - Consumed (1998)

ambient techno/drone a la Vladislav Delay.

Shlohmo - Bad Vibes (2011)

Dark, brooding beats, ambient, amazing manipulation of sound and texture...

Jürgen Müller - Science of the Sea (2011)

Layered synths creating a wash of etheric underwater bliss. Super relaxing, unless you're scared of the ocean.

Andy Stott - Passed Me By (2011)

Really intriguing ambient techno (for lack of a better term) or dub techno....very dirty, fuzzy loops and beats.

Blayyter.

Reccomendations

2011-09-30T08:10:00.000-07:00

The Pink Floyd catalogue has been reissued. I'm not to proud to say I've only really been into the Dark Side era to the Wall era. Can someone reccomend another album to me? Preferably the earlier years? I've got Pipers at the Gates of Dawn and only sort of dig it.

Radiohead at Roseland Ballroom

2011-09-29T13:43:00.000-07:00

I feel compelled to post something, anything, about the Radiohead show last night, but I’m totally exhausted from last night and not totally thinking straight. But I’ll give it a shot.

The whole thing was a circus at first, a line stretching all the way around Roseland Ballroom as 4,000 people lined up to get in for the will-call only tickets. It was set up that way to foil scalpers, but I think the amount of hassles it created with that line and people swearing at Ticketmaster because they couldn’t get tickets might have made the effort a wash. There were reports of people selling tickets for $2K. Sure, that’s greedy but I wasn’t one of the people on a pedestal about how odious it was: if someone was willing to pay that much to go see Radiohead and dude wants to sell his other ticket, I don’t care. Capitalism, baby. And people cursing about Ticketmaster? I got no love for Ticketmaster, but WTF, Radiohead told them to sell the 4,000 tickets in a certain way, probably a million people called trying to get tickets, and most of them didn’t. Sowwy. Pretty comical all the forlorn Radiohead fans waiting along the line with signs begging, pleading, and offering sundry favors for someone’s extra ticket.

Anyway, the show. I’m a Radiohead fan, for sure. To me they track something like Wilco: started as a fairly straightforward rock-band (alt-country versus Brit-rock) and then progressed through a series of different albums to push boundaries and radically evolve in an exciting way. (Actually, kind of reminds me of the progression of the Beastie Boys on their first three albums.) But I realized pretty early on in the Radiohead set that what I was getting wasn’t what I really love about the band. They had two drummers and an extra guitarist with them and it was a ROCK show, dig? Some of songs really worked that way, like the stuff off OK Computer— “Subterranean Homesick Alien” was one of the highlights of the show for me. But other songs, like “Lotus Flower”, my favorite on the new album, King of Limbs, I didn’t enjoy live as much. There’s a kind of arid simplicity to Radiohead’s electronic stuff that courses with energy but I found got washed out in a bigger context.

One of the cooler moments of the show was Thom Yorke at the piano surprising everyone by launching into R.E.M.’s “The One I Love” as a kind of shout-out to the band, who just broke up after three decades. But I didn’t even recognize “Everything in its Right Place” when he went into it from the R.E.M. melody, again it didn’t sound quite right to me. “All I Need” was another song of theirs I really like but I found fell flat, even though I could hear that song being really epic in that context. On the other hand, “Bloom”, the first track on King of Limbs, and "Bodysnatchers", from Hail to the Thief, were awesome. On “Give up the Ghost” he sampled his own vocals (or someone did it for him) and that worked really well, reminded me of what I’ve seen Brandon Cox do with Atlas Sound. The second encore seemed really spontaneous, it looked like the show was over and then they came back and played two more songs that everyone went nuts for.

Thom Yorke is really charismatic and it’s hard to take your eyes off of him. I knew he was the centerpiece of the band but none of the other players stood out to me, they all seem a supporting cast to Yorke. I admire the way he acts as a conductor to the whole band, his sense of rhythm is really amazing, actually; he’s got this campy tramp shtick going on, it’s cool.

That was a big portion of the whole night for me, just how much of a super big-deal this was to so many people. I looked around and saw so many white people aged 25-45 (my milieu, I guess) who seriously love this band, knew all the songs, and felt just a bit special for seeing one of the biggest bands in the world in a small setting. It felt privileged, something cool to be part of.

Monastics "Topography"

2011-09-28T11:54:00.001-07:00

http://monastics.net/category/music

My band's second CD (including other WWALT homeys Rootless and EJ), "Topography" is done and available for your enjoyment! Go check it out and let us know what you think.

dc

Kings Go Forth

2011-09-28T07:36:00.000-07:00

I'm not sure how everyone feels about the whole neo-retro-soul thing (Dap Kings, et al), but I happened on this band from Milwaukee and I'm digging it.

There's always something about the fierce drums backed up by a set of congas that gets you moving. The record is on Spotify: "The Outsiders Are Back".

New Shadow is streaming on NPR

2011-09-26T13:26:00.001-07:00

http://www.npr.org/2011/09/25/140643384/first-listen-dj-shadow-the-less-you-know-the-better

On a scale of 1-to-5 I give it a solid "Meh". It's not terrible.

dc

Wild Beast, and a few other notes

2011-09-25T18:11:00.000-07:00

I haven't posted in a while, but I have a better excuse than all you non-posters out there (step to me in the comments section if you think you got me beat).

I saw Wild Beasts last night, a band from the UK with a couple albums and I was really impressed. They are probably not for everyone (this means you, DC), the vocals are at times theatric and absurdist and if you were telling me about a band and said that to me I'd say "that shit probably ain't for me", I don't like zaniness in my music, I'm more about emotion and melody than humor or theatrics, but these guys don't overdo it, and feature both of those things, they just color the music at times with some eyebrow-raising falsetto vocals and shouts. I was expecting a thin, gay (in the literal sense, not in the WWLTN controversial ironic sense) dude as the lead singer, but it wasn't like that. Firstly, the vocals are shared by two not too effeminate dudes, they do really well trading off. And secondly, these guys were trading off instruments and working keyboards, really impressive, no lead singer preciousness. Anyway, the music reminds me a bit of Interpol, but less angular, more hypnotic, and the Smiths (who I actually don't like), full of surprises, I've been settling into their new album "Smother".

In terms of other things I'm listening to, the new Washed Out was in high rotation for a while and deserves a shout out. Finally got the good stuff from Imaginary Softwoods and that is gold. The newest Grouper album finally grew on me and is the end of many of my days these days.

Tammar (and St. Vincent)

2011-09-20T08:18:00.000-07:00

http://tammar.bandcamp.com/track/the-last-line

I admit to seeing this on Pitchfork. Reading the review I was piqued as they are a Bloomington, IN band (my former haunt and music-making locale). The newest record isn't on Spotify, but a couple of older EPs are. Kind of an interesting mish-mash. As the Pitchfork review says, there's some Spacemen 3 in there. I also hear a touch of LCD Soundsystem. I really like the track on the bandcamp page, the EPs sound... um... less mature?

Also, that new St. Vincent, "Strange Mercy." Very good. I wasn't thrilled with the last P.J. Harvey, St. Vincent is supplanting her a tinge.

Social Climbers Re-issue

2011-09-18T20:54:00.000-07:00

Any ex- (or current) Hoosiers on this string will remember this record all over the used bins of Bloomington in the 80's. By that time, we were all on to our own thing, and this little gem was slipping totally through the cracks. I myself ignored it, for the most part, until I played it on the local music show I was doing on WQAX.

Genius.

Apparently, someone from Drag City agrees with me on this. From the press release:

"It's almost 1980. Soho, New York is fertile with young, no-wave punks getting sharper and increasingly angular: Branca, DNA, Teenage Jesus, Contortions, Suicide, et al, as well as the groups they would spawn. Coveted and revered bands for many today, this music was peripheral at the time. Unheard by most save for the underbelly, these were artists living free and dirty, trying to outdo each other. Within the periphery of this periphery, Social Climbers made sounds that were of their environs yet remarkably unique, leaving an indelible stamp on the scene while somehow managing to slither undetected out of all the history books. A downtown New York art band as much as any other, Social Climbers also claimed midwestern roots and actual musicianship that many of their contemporaries lacked, and in trade dismissed and essentially protested the snotty pretensions that drove many others within the scene. Social Climbers are an absolute post-punk blueprint: fat bass (often two), guitar, drum machine (dubbed "the monkey"), feverish vocals, and organ. Their lone, self-titled album is agitated and impossibly wild, yet danceable and composed. Gulcher Records initially released the album as a triple 7". Their record was barely picked up by the local underground rock distributor, as is common in a crowded scene, and the group disbanded in 1982. Their one artifact is as earnest as it is fractured and terrifying. Mostly, it's just fucking cool. And it's here, again, sounding as relevant today as it did when it was of the moment; perhaps, even more so. And the CD contains two bonus tracks!"

Oh, and try to find that used Gulcher vinyl now.

Gay

2011-09-13T15:12:00.001-07:00

I'm here with Rootless and we have a qualifying question on the great gay debate. Is it cool to say "I love that band so much I'm gay for them"? I think that's fair game.

New Das Racist

2011-09-13T12:21:00.001-07:00

Dear WWALT,

I was just checking out that Wye Oak joint on Spotify (it's really good), and a commercial/banner came up for the new Das Racist CD! Woo hoo!

I'm half way through the first track and it's awesome. I couldn't wait to tell you! :) LOL.

Sincerely Yours,

dc

Wye Oak - Civilian

2011-09-12T15:33:00.000-07:00

This came out in the spring, but its heading-into-fall vibe is slotting nicely at the moment.

"Holy Holy" is a frontrunner for song of the year for me. Check the vid below. A talented friend of another talented friend is responsible. (Inspiring kids abound!)

Holy Holy

Done With Fish

2011-09-11T18:04:00.000-07:00

This clip from Spike Jonze's Adaptation totally captures how I feel about records right now.

For the past three years, since I moved to Jersey, I've had a shitty iTunes set up for my home stereo. I've acquired a ton of music digitally in that time, but i just listened to it in the car, on my commute, at work.

This wasn't really a problem thanks to my record habit. 99% of the time at home I listened to vinyl. I regularly bought used and new records. I've been collecting for... 15 years?! I have a ton of records and I play DJ all day everyday.

So recently I threw down on a Sonos system. Dope. A little pricey. but it was super easy to set up, i control it with my iPhone, totally intuitive, you can sync all your rooms, or play different tunes in different rooms. It's great. And through that I'm rediscovering all this music that I've forgotten. And it's so easy to put on, like, all the 100% Dynamite Comps on Shuffle and you're covered for the weekend. Today I put on all my Grant Green tracks for jazz brunch, and I had only gotten through the "J" songs by dinner time.

And just like that... "Done With Fish". That may be a bit extreme (I don't think I'll ever be able to pass a milk crate of records at a garage sale or flea market without stopping) but suddenly where I was pretty obsessed with records now I'm... meh. I'm absolutely at peace with selling off a few shelves worth on eBay.

Anywho, the reason this interests you is that I'm in the throes of a vinyl rip-a-thon over here. I have my system worked out, I'm ripping like 4-5 albums a day. You're going to want to do a DVD trade with me sometime soon.

On that note, can some of you motherfuckers post something please? Thanks.

Sincerely,

The Chizzle

P.S. I'm sorry if my use of swear or "curse" words offends anyone. I'm trying to clean up my WWALT act.

Stop Being Gay

2011-09-09T09:38:00.000-07:00

Yeah, um, I've just got to say that I always feel a little uncomfortable and disappointed when something is called "gay" on here. I know we all grew up with it, and it's a little funny and it's a pretty quick way to denote something as unworthy in a particular way. It's just seems like that language has a little too much baggage in this day and age, maybe? Thanks for reading.

Clams Casino

2011-09-09T04:28:00.000-07:00

Heard the name (which is great) but I never checked him out. When i see things like "beat maker for Lil B and Souljah Boy", it doesn't exactly get my spidey sense tingling, if you know what I'm saying. I am more or less over rap right now. That includes Odd Future Hurt Time Kill Yourself or whatever they are called, frankly.

But when Turntablelab gave his untitled instrumental mix tape a "highly recommended" i took notice. It's dope. He self released the instrumental CD for free, I believe, and it is all over MediaFire so easy to pick it up. A few tracks are approaching gayness, but in general its awesome. It actually reminds me of that Balam Acab joint but with hard beats.

In an interview with B.A. on Altered Zones, an interviewer described his music as "using the human voice and syllabic expression for its associative, emotional impact instead of communicating something verbal". That has stuck with me, and came to mind when checking out this Clams Casino joint.

Anyway, this has been in heavy rotation for me and I absolutely recommend grabbing it on mediafire. Later.

dc

The less you know...

2011-09-07T19:23:00.000-07:00

Good News is this is available..

Bad News is I'm not that impressed.

I'm not expecting Endtroducing 2 or anything but I feel he is so much more capable of doing something more interesting.

Barn Owl

2011-08-26T08:15:00.000-07:00

Really digging these guys. Droney guitar jams, some electric, some acoustic. Long haired weirdos from San Francisco. They are on Thrill Jockey. Fans of Six Organs of Admittance, etc., should check them out post haste. Their shit is pretty available on mediafire tip and Spotify.

Just to be clear... I'm NOT talking about these guys, FYI.

d-nice

Normal Bias Time Machine

2011-08-24T06:25:00.001-07:00

This gorgeous dinosaur miraculously popped up in my wife's glove compartment a few weeks back. I'd written it off years ago, though it is always in the back of my head when I am MP3 trolling for eighties stuff. It was complied by my dear friend Jefferson, the first person I knew with an accent (excluding my father) and the first person I knew who purchased music based on reading N.M.E. as opposed to CREEM. College, natch, and by the mid 80's he had finished and was in Pilsen while I was still slacking in Bloomington. The man has always had a way with the bins, and being in the big city busted it wide open.

First exposure to JAMC, Screaming Jay (back in vogue that year courtesy of Jim Jarmusch), and I think even The Fall for chrissakes, if you don't realize the importance of all that than you shouldn't be reading a music blog. Lots of great tracks from long lost bands, a few things haven't aged that well but over all really listenable. It makes you think that a bunch of what you're getting a unicorn over at Pitchfork was invented by British people in 1986.

For your consideration I have lovingly recreated it here as a mp3 mix complete with fab tape scan artwork. If interested send me your proper email and I will shoot you a few zip files, divided as side A and B of course.

Diplo "Chasing the Dragon"

2011-08-23T14:02:00.000-07:00

Before he became a world renown DJ and CEO of a hot shit label as well as “a curator amongst the worldʼs most cutting edge DJs, producers, and musical movements” (his words from Mad Decent website), I got hip to Diplo via the Turntablelab.com website that put out his earliest 7"s... now long gone, sold on eBay to fund my record buying habit.

I haven’t been as into him lately (don’t really check out Mad Decent podcasts anymore, I skipped out on Major Lazer). However, I just came across this on my e-travels… he put out a dj mix more in the vein of his AEIOU 2 mix, lots of psych and garage and no Baile Funk or Bastardized DanceHall in sight. In the words of TurntableLab: “No tropical bass, dubstep, dancehall, or beats here - just straight up rare psych rock for days! Diplo goes deep with all manner of fuzzed-out, freaky psychedelic sounds that are much different from what you're used to him playing these days - and it sounds AWESOME.” Some obscure, some not so much, with flare and flavor thrown in to mix it up. Worth downloading fo sho. And here it is.

If you haven’t listened in a while, or missed him altogether, here are some other top shelf releases from the man:

-First full length "Florida" is still a top notch banger that has really aged well.

-The DJ Shadow Mega Mix he put out as a promo for, uh, The Private Press, I believe? So good… he mixes DJ Shadow tracks with the source material, plus blends of Shadow beats with crunk rappers, etc. Great disc.

-The “Piracy Funds Terrorism” mix tape that basically broke MIA onto the scene, a little played out by now but truly impressive disc and a good listen.

-I actually like his “Live in Montreal” disc a lot, good jams, blends TV on the Radio with Outkast, shit like that. Plus a long “grime” section that’s good crash course on the genre.

If you need any of that holla at me and i'll yousendit it to you. File this under thoughts on an old classic.

dc

Boy & Bear: Moonfire

2011-08-21T11:15:00.000-07:00

This is in heavy rotation in Spotify for me. The chorus of this track reminds me of Seals & Crofts! The band calls themselves indie-folk with choral harmonies. Check it out!

Balam Acab

2011-08-16T13:30:00.000-07:00

I really dig him, big fan. His "See Birds" EP was one of the best things I've gotten hip to in the last 12 months...

He has a new one coming out shortly, "Wander/Wonder", which I'm pretty stoked about. I was trolling the internet looking for a leaked copy and found this B-side off the "See Birds" single... "Heavy Lifting Things", its pretty killer. Enjoy.

dc

Spotify Invites

2011-08-13T05:52:00.001-07:00

I have a few if anyone wants one. Email me directly at clarkstarr@gmail.com (first come first served).

John Cage Meets Sun Ra

2011-08-12T10:19:00.001-07:00

Found this on Mediafire.

Pretty bugged out, as you may imagine. This is like a $100 record, so even if it is not the most awesome LP in the world, it's still noteworthy and nice to check it out for free.

dc

Free Download of that New Jay Z - Kanye Joint!

2011-08-09T08:45:00.000-07:00

Just kidding, I just wanted to see if the Web Sheriff is out and about.

Dear Web Sheriff, keep up the good work.

Sincerely,

The WWALT Blog Community Brotherhood

R U READY?

2011-07-31T20:11:00.000-07:00

The enthusiasm over the last SB joint was palatable. So hold on to your horses, because here's the second release off of "The Greatest Hits of... The Scoobie Brothers".

This was the lead off single off of "IT'S THE NEW SCOOB" (also known as the MySpace Album).

Who knew that all those times you bumped this on MySpace it wasn't "R U Ready (to party)?", it was "R U Ready (for post-apocolyptic Mad Max world)"?

Spotify

2011-07-28T07:55:00.001-07:00

Anyone else messing with Spotify yet? I like it... it's like a huge free iTunes.

Only thing you have to do is listen to commercials (i think you can pay $4.99 a month to make that go away). In listening to "BadMotorFinger" start to end (inspired by S.O.S.'s post) there were like three or four commercials, half "editorial" commercials talking about diff features of Spotify, and half an actual song with the artist saying "Hey this is Gary Stevenson, check out my new record on Spotify!". If you mute your computer it "pauses" the commercial, so they got you there. There are banner ads promoting music you can listen to on Spotify as well. I actually like that functionality, I saw a few banners for something i was vaguely interested in... click, and you are checking out the full album for free.

If the commercials and banners were tailored to music I was interested in based on my searches or playlists, or even based on my own personal library, I wouldn't mind at all, but it sucks when my BadMotorFinger vibe is suddenly interrupted by a "Drake" song that I'm forced to listen to for 30 seconds. Assuming some if not most of you don't even know who that is, but it's worse than Ke$$$ha. Playing some totally unrelated track is not going to make me buy, or even listen to, that artist and it just fills me with rage towards Spotify.

There is a ton of music there, I'll give it like a 7 out of 10 on obsurity scale: searches for Black Dice and Lightning Bolt were fruitful, for example. A search for Emeralds had hits, but "Imaginary Softwoods" did not. Jesus LIzard and Naked Raygun came up big, but Big Black and Rapeman were absent. Kurt Vile actually had a banner and a voice over commercial thing.

I don't understand the business model... I'm sure that info is out there but frankly, I don't care. In any case, artists are getting a cut, so it is an interesting new alternative and I think that's one reason it is blowing up.

All-in-all, I give Spotify 5 stars, it's nice to have, not a life changer, although I absolutely have been using it all week at work. If they add a Pandora-like functionality so it knows what I like, even better. And I'm assuming content will just continue to grow exponentially.

Carry on.

dc

Soundgarden@ The Forum in L.A.

2011-07-26T19:54:00.000-07:00

They went on right at 9:00 as we walked in (missed Mars Volta) and proceeded to blow it up for 2.5 hours! I never know what to expect from bands who break up, and claim they will never reunite and play again. This show exceeded my expectations. Matt Cameron is a fine drummer. They have a ton of drum heavy songs, but I didn't appreciate it until hearing him live, and he sings backup! Cornell can still hit most if not all the high notes, which is madness. Kim Thayil played all the dropped d sludge riffs you'd ever need and blazed through all the solos in fine form. Can't say much about the bass playing, I could barely hear it on most songs. Maybe it was the acoustics, my location, or the mix. A 25 song set including encore, not too much chatter between songs,Mike Mcready played guitar on Superunknown, and a long bass/guitar feedback extravaganza to end the night. I'd really like to hear them at Nokia or some newer venue.

Anybody see this before? Internet cops are out!

2011-07-26T19:52:00.000-07:00

I got this when I logged in to the dashboard:
We have received a DMCA complaint for your blog, What We Are Listening To.... An e-mail with the details of the complaint was sent to you on Jun 24, 2011 , and we reset the post status to "Draft"; you can edit it here. You may republish the post with the offending content and/or link(s) removed. If you believe you have the rights to post this content, you can file a counter-claim with us. For more on our DMCA policy, please click here. Thank you for your prompt attention.