Monday, December 31, 2012
Capsula: In the Land of Silver Souls
This is one of two albums they released in 2012. The first one was rock en espanol, they started in Argentina, but are now out of Spain. They play Ziggy Stardust live, an obvious influence that is clear. I hear some Pixies and Sonic Youth influences. Album has 14 tracks, which is a little long. Some good riffs to rock out to!
Sunday, December 30, 2012
electronic sonata for souls loved by nature
Those that know me know I'm notorious for selling shit to buy shit to sell to buy more shit. Like, sell 100 records to buy a guitar, then sell the guitar a year later to get 100 records, then sell 100 records to get a moog, etc, etc...
I know I've had this record at least once... I feel like more than that. George Russell's "Electronic Sonata for Souls Loved by Nature". It was released on both the Strata East and Flying Dutchman labels. I must have listened to it. The problem with my approach to the fluid ownership of things is that I probably sell some stuff that I don't "get" at the time, whereas now that I am older and wiser with a more refined musical palate I could probably dig a lot of that stuff.
Luckily for me this is on Spotify... and YouTube, check the first "Event". So dope:
Maybe the free jazz freak out breakdown was too much for me... Anywho, the first few minutes are solid gold dynamite.
dc
Friday, December 28, 2012
My top 10 from 2012 in no particular order
Tame Impala - Lonerism
Various - Never To Be Forgotten - The Flip Side of Stax 1968-1974
The Orb featuring Lee Scratch Perry - The Orbserver In The Star House
Classics of Love - S/T
Various Artists - Jahtarrian Dubbers Vol 3.
Mr. Williamz - Dancehall HobbyEP
Various Artists - Tann Up Solid EP
Macka B / Leanna - Never Played a 45 / Grapevine
Brother Culture / Manassah - Good Word / Dub the Word 7"
Soom T - We Want Out 7"
Thursday, December 27, 2012
Guns N' Roses live at the Ritz, 1988
I had a long car ride yesterday and I was listening to some old school GNR and when I got home I finally checked on youtube to see if the live show from the Ritz was up there. Of course it is, gotta love youtube, the whole show is there.
The show is from early February, 1988, taped for MTV (which was kind of a first, I believe) right when they were blowing up. It totally rocked my 13 year old world. I recorded it and must have watched the VHS tape 100 times. That show and the album Appetite for Destruction had me start learning guitar and changed my life.
The moment they come out and start with "It's So Easy" is so intense the band can barely keep up with the energy. Can you watch this show and not agree that this was one of the baddest rock bands ever? Is Axl not one of the greatest rock stars ever? He can be a bit campy with his song intros and his high-leg kicks, but what a fucking badass.
A few highlights: Axl jumps into the mosh-pit during the end of "Paradise City" and the crowd literally tears at him; as security finally gets him back on stage they tear off his shirt and Axl has cuts on his hands and torso. During the encore of Rocket Queen Axl walks off the stage during the second chorus leaving his confused bandmates looking around. He resurfaces during the mid-section jam with a cigarette. Then at the end he sees something off-stage that infuriates him and he hurls the mike at it/him/her and walks off the stage again, leaving the final refrain unsung. That's how the show ends, hahaha.
The show is from early February, 1988, taped for MTV (which was kind of a first, I believe) right when they were blowing up. It totally rocked my 13 year old world. I recorded it and must have watched the VHS tape 100 times. That show and the album Appetite for Destruction had me start learning guitar and changed my life.
The moment they come out and start with "It's So Easy" is so intense the band can barely keep up with the energy. Can you watch this show and not agree that this was one of the baddest rock bands ever? Is Axl not one of the greatest rock stars ever? He can be a bit campy with his song intros and his high-leg kicks, but what a fucking badass.
A few highlights: Axl jumps into the mosh-pit during the end of "Paradise City" and the crowd literally tears at him; as security finally gets him back on stage they tear off his shirt and Axl has cuts on his hands and torso. During the encore of Rocket Queen Axl walks off the stage during the second chorus leaving his confused bandmates looking around. He resurfaces during the mid-section jam with a cigarette. Then at the end he sees something off-stage that infuriates him and he hurls the mike at it/him/her and walks off the stage again, leaving the final refrain unsung. That's how the show ends, hahaha.
Saturday, December 22, 2012
Best of 2012
What’s up ya’ll. Below is my best of list for 2012. Ever
since the spotify revolution I’ve kept a file about what I check out on there,
and this list is mainly pulled from that. There is a lot more that I have been
feeling big time this year. I’ve listened to a lot more classical this year,
continuing to learn about the music of Charles Ives, for instance. Read this
biography and rode up to Vermont listening to “The Concord Sonatas” recently,
that was all a big part of my 2012. But below is mainly what I got hip to this
year and I was feeling in particular, with a couple notes here and there.
Sun Kil Moon, “Among the Leaves”
Mongold, “The Softest Glow”: Actually this is from 2011, but
I saw them on a rooftop in Bushwick Memorial Day weekend and they killed it. I’ve
seen them at Pianos since then, and just generally been following what’s up
with them.
Beach House, “Bloom”
Frank Ocean, “Orange”
Mac Demarco, “Rock and Roll Night Club”: not feeling his new
album “2” all that much, but really got into his EP released earlier.
Ducktails: this is one of the guy’s from Real Estate, only
started listening to them this year. Not all of it is 100% solid gold, but
enough of it is, and “surf’s up” is one of my favorite songs I heard this year.
Jana Hunter, “Carrion”: This is from 2007 but I heard it
this year, such a great mellow feel, can’t get tired of it.
Holy Other, “Held”
Steve Hauschildt, “sequitur”: Another album I could listen
to on repeat forever. Anything by Emeralds (actually they had a pretty killer
album this year too) or any of those dude’s side projects I’m all over.
Thursday, December 20, 2012
Spotify...
... is so deep. Everything from the Blood and Fire reggae label is up there.
Bla Blazo, I know you have all that on vinyl, but for me i'm going "add to playlist" crazy.
Also, I'd like to take a minute to shout out "Personal Space: Electronic Soul 1974-1984", I've never given this the proper attention until tonight. It's fuggin' great. That shit is up on the 'fy as well.
Really looking forward to the weekend, you guys.
dc
Bla Blazo, I know you have all that on vinyl, but for me i'm going "add to playlist" crazy.
Also, I'd like to take a minute to shout out "Personal Space: Electronic Soul 1974-1984", I've never given this the proper attention until tonight. It's fuggin' great. That shit is up on the 'fy as well.
Really looking forward to the weekend, you guys.
dc
Tuesday, December 18, 2012
Best Of 2012.....
My vote for best of, or favorite of, 2012 is hands down Flying Lotus’ “Until The Quiet Comes”. Here's why:
1) It’s great. The music is enjoyable, interesting, appeals to intellectual side but still a head-nodder, not too bugged out but still pretty bugged out. Just a fantastic record.
2) After 1,000 listens, I still hear new stuff going on every time. Little sounds, little movements, changes.
3) I like that it fits within a genre – which is, I guess, what we called back in my day, “electronica”, or “IDM” aka intelligent dance music, hahahaha, worst genre name ever. Let’s call it laptop music? Whatever. It is definitely of that music, but pushes the boundaries and within the parameters of that scene and that music has made something incredibly unique and envelope pushing. I dig that.
4) It’s an inspiring LP that definitely was a shot in the arm and a kick in the ass to be more creative and make more sounds.
5) It’s the kind of record that establishes a mood and certain vibe and headspace from the first note.
6) He’s a cool bro. He did tons of promotion for this thing, and it never came off as “selling out”. However, it was the antithesis of being like too cool or too much of an “artist” to spend time and energy on promoting your product. His promotion towards the album never took away from the artistic credibility of what he created or his integrity, but rather came off as legitimately being proud of something and wanting it heard, which was refreshing. Maybe I’m tripping, but the way this was promoted stood out for me.
7) Apparently he had a really killer live show, wish I saw it. Check link below.
8) The cover is awesome, killer image by B+ that captures the feel and vibe of the music perfectly. The deluxe vinyl edition is beautiful.
9) Here’s a bunch of cool links to related stuff:
He did a live play-by-play while listening to his album on twitter that was interesting if you dig the album. Someone must have ripped it to one spot, but i can't find it, so if you are interested go to his twitter feed on October 2nd and check it out.
Austin Peralta, jazz keyboard virtuoso and son of Stacy Peralta, died this year. I knew he was down with Flying Lotus and all those guys, but only after checking out the liner notes did I realize he was really all over this thing and really made a mark, so that’s definitely sad. Never really heard of him prior to his passing.
Anywho, that's it for me. Best of 2012, slam dunk, Flying Lotus!
Happy holidays.
dc
Thursday, December 13, 2012
Kindness
Nirvana - Can We Do Better Than a Living Legend?
As a sometimes poster on the site and someone who respects the opinions
of those on this blog, I wanted to toss the following out at you all...
For some reason I felt compelled to watch the 12-12-12 concert last night. I knew it would suck and be mostly annoying, and I have the excuse that I was 'watching for work purposes,' but it was worse than I could imagine. However we're not here to discuss the fact that no rock star should ever wear a turtleneck on stage (your rocker card has been revoked, Jon Bon Jovi.) I'm sure if any of you watched, it was for the same reason I ultimately did...to see Paul McCartney play with Nirvana. While it wasn't horrifically awful as I imagined it would be and while my love for the Beatles is well-chronicled, I couldn't help but wonder the following:
If Nirvana was going to re-unite for one night, who SHOULD front the band in Kurt's place? The rules are simple. You can pick anyone currently alive, but you have to use them in their current state (ie., no taking 1992 Eddie Vedder or 1971 Mick Jagger. You pick Eddie, you're getting short haired-bearded dude, etc.) I started this conversation with a buddy of mine and came up with the following possibilities:
1. Dave Grohl moves to front man and the drummer from Foo Fighters or QOTSA or something takes over on drums. It keeps the front man in-house, but we've seen what happens when Dave Grohl fronts a band and I don't think anyone wants that.
2. Trent Reznor - I like this idea, but he's an old dad now and I think the style is just a bit off.
3. The dude from Cold War Kids. No one knows who he is, he's got the desperation and anger, but at the end of the day, net-net, it is what it is (copyright DC,) I think his voice is a little to big and high-pitched.
Ultimately, I realized there's really just one answer: Courtney Love. I know, I know...she and Dave Grohl hate each other...she's a giant drug whore, etc. But let's all admit that the first Hole record was awesome and she has the voice, the vibe and the history to pull it off. Put it this way, if I call you up and say, I have 2 tickets to the Nirvana show and Courtney Love is fronting the band, you're going to beg me for the extra ticket.
Or maybe I'm wrong. If I am, prove it. Post your thoughts below. The bar is set at Courtney Love. Usually, that's not a very good thing...
Peter
For some reason I felt compelled to watch the 12-12-12 concert last night. I knew it would suck and be mostly annoying, and I have the excuse that I was 'watching for work purposes,' but it was worse than I could imagine. However we're not here to discuss the fact that no rock star should ever wear a turtleneck on stage (your rocker card has been revoked, Jon Bon Jovi.) I'm sure if any of you watched, it was for the same reason I ultimately did...to see Paul McCartney play with Nirvana. While it wasn't horrifically awful as I imagined it would be and while my love for the Beatles is well-chronicled, I couldn't help but wonder the following:
If Nirvana was going to re-unite for one night, who SHOULD front the band in Kurt's place? The rules are simple. You can pick anyone currently alive, but you have to use them in their current state (ie., no taking 1992 Eddie Vedder or 1971 Mick Jagger. You pick Eddie, you're getting short haired-bearded dude, etc.) I started this conversation with a buddy of mine and came up with the following possibilities:
1. Dave Grohl moves to front man and the drummer from Foo Fighters or QOTSA or something takes over on drums. It keeps the front man in-house, but we've seen what happens when Dave Grohl fronts a band and I don't think anyone wants that.
2. Trent Reznor - I like this idea, but he's an old dad now and I think the style is just a bit off.
3. The dude from Cold War Kids. No one knows who he is, he's got the desperation and anger, but at the end of the day, net-net, it is what it is (copyright DC,) I think his voice is a little to big and high-pitched.
Ultimately, I realized there's really just one answer: Courtney Love. I know, I know...she and Dave Grohl hate each other...she's a giant drug whore, etc. But let's all admit that the first Hole record was awesome and she has the voice, the vibe and the history to pull it off. Put it this way, if I call you up and say, I have 2 tickets to the Nirvana show and Courtney Love is fronting the band, you're going to beg me for the extra ticket.
Or maybe I'm wrong. If I am, prove it. Post your thoughts below. The bar is set at Courtney Love. Usually, that's not a very good thing...
Peter
Sunday, December 9, 2012
Wednesday, November 28, 2012
It's been a while since I've rapped at you...
DISCLAIMER: I am not a paid spokesperson for the microfiber cloth industry just someone who was impressed with how well they clean records.
The flea market guy was at his stall Saturday - normally he has someone run it for him - and he told me how he cleans almost all of his records (not for 78rpms or shellac). He has a spray bottle filled about an 1" or so with alcohol and the rest with distilled water. He sprays the record and uses a microfiber cloth to clean. Across the street was an auto parts store so I bought a dozen small cloths and tried it. I was amazed at how much dirt that cloth pulled out. It was a lot.
I was also the first person to dig through two new crates of 45s. I pulled out a lot of small Southern labels from Nashville, Texas, Alabama along with the usual Stax, Chess, etc. There were a lot of gospel 45s in the crates too. Good haul - picked up just shy of 100 - but no discount this time due to me popping the crates' cherries so they were a straight $0.50 a piece. He did throw in a mint picture sleeve for a Creedence 7" I have so that was cool. Here are few that I got.
DISCLAIMER: I am not a paid spokesperson for the microfiber cloth industry just someone who was impressed with how well they clean records.
The flea market guy was at his stall Saturday - normally he has someone run it for him - and he told me how he cleans almost all of his records (not for 78rpms or shellac). He has a spray bottle filled about an 1" or so with alcohol and the rest with distilled water. He sprays the record and uses a microfiber cloth to clean. Across the street was an auto parts store so I bought a dozen small cloths and tried it. I was amazed at how much dirt that cloth pulled out. It was a lot.
I was also the first person to dig through two new crates of 45s. I pulled out a lot of small Southern labels from Nashville, Texas, Alabama along with the usual Stax, Chess, etc. There were a lot of gospel 45s in the crates too. Good haul - picked up just shy of 100 - but no discount this time due to me popping the crates' cherries so they were a straight $0.50 a piece. He did throw in a mint picture sleeve for a Creedence 7" I have so that was cool. Here are few that I got.
Tuesday, November 27, 2012
Here's where I'm at right now:
I'm feeling the new (?) Dirty Projectors joint "Swing Lo Magellan".
There is this record by Howard Tate "Get it While You Can" on Spotify that is awesome and I've listened to it 1,000 times. Old soul, bluesy funky R&B tracks. Really good stuff. "Look At Granny Run" is the #1 hit.
Manassas "Pieces" is a good LP of 60's/70's classic rock type stuff. It's a Stephen Stills side project, I think.
Karriem Riggins is a jazz drummer who also is a producer/beat maker. He has an LP out on Stones Throw that is very Dilla "Donuts-esque", definitely worth checking out.
Lastly, I just stumbled across a soundtrack on Spotify called "Cruise Across America" that has a bunch of tracks from low desert stoner rock types (Brant Bjork, Fatso Jetson, Yawning Man, etc.) It's a good collection of tunes.
GET THOSE BEST OF 2012 POSTS TOGETHER Y'ALL! PRETTY PLEASE!
dc
Sunday, November 25, 2012
BMSR, Boduf Songs, Fond Of Tigers
Been meaning to post for while now.
I got the new Black Moth Super Rainbow, Cobra Juicy, on vinyl, plus the accompanying EP.
It's a little inconsistent, but some of the tracks are the usual BMSR magic.
I think the EP is better...they should have combined the best tracks from Cobra Juicy and the EP and made a really solid LP on the short side.
Also got a new EP on vinyl by Boduf Songs...very good stuff, consistent with the usual Boduf style and quality of songwriting and delivery. Plus Mat Sweet, the guy behind Boduf Songs, emailed me to check if I got the EP and the generous amounts of swag like stickers and a schematic of a time-machine. Really nice guy, makes me that much happier to be supporting his musical career.
Also got Continent & Western by Fond Of Tigers. I love the music, but considering they're an instrumental band, I was a little disappointed that there was singing on a couple of the tracks. I'm not opposed to singing, but it kinda sucks that it's obviously there on the record to try to widen the appeal of the band. Oh well.
I got the new Black Moth Super Rainbow, Cobra Juicy, on vinyl, plus the accompanying EP.
It's a little inconsistent, but some of the tracks are the usual BMSR magic.
I think the EP is better...they should have combined the best tracks from Cobra Juicy and the EP and made a really solid LP on the short side.
Also got a new EP on vinyl by Boduf Songs...very good stuff, consistent with the usual Boduf style and quality of songwriting and delivery. Plus Mat Sweet, the guy behind Boduf Songs, emailed me to check if I got the EP and the generous amounts of swag like stickers and a schematic of a time-machine. Really nice guy, makes me that much happier to be supporting his musical career.
Also got Continent & Western by Fond Of Tigers. I love the music, but considering they're an instrumental band, I was a little disappointed that there was singing on a couple of the tracks. I'm not opposed to singing, but it kinda sucks that it's obviously there on the record to try to widen the appeal of the band. Oh well.
Wednesday, November 7, 2012
Gary War
Anybody on here hip to Gary War? Really good stuff, you'll like it if you appreciate Atlas Sound.
Sunday, October 28, 2012
Friday, October 26, 2012
Wednesday, October 24, 2012
Holy Other/Cat Power
Discovered Holy Other a few days ago, been on heavy rotation ever since. Same label as Balam Acab so if you're into that sound you'll probably be feeling this.
I also dig the new Cat Power album, "Sun". She's got interviews everywhere right now, and that can be annoying, but she is consistently pretty interesting and weird and fun to read about.
Sunday, October 21, 2012
best of/current # 1 jams
a couple musicians I know and admire got best of props in the village voice the other day. Kevin Shea got best drummer, Weasel Walter's ugExplode got best record label, and Dave Buddin got best composer. Buddin getting best composer is kind of extraordinary in that the guy really does not market himself and is really kind of an odd genius operating at the fringes. Dave's got a strong southern drawl, color-blindness and, uh, enjoys a drink. He's an eccentric in the Charles Ives tradition of American music, blending serious atonal compositions with a strong compulsion for satire and an undercurrent of Americana that is both nostalgia and sneer. There is a link to the music on the description of his page and it's worth checking out, so is the stuff with American Liberty League.
In other news, here are my two #1 jams going right now, mid-fall, 2012:
Ducktails, "surf's up": Ducktails is the side-project of one of the guys in Real Estate, this is the last song one the self-titled album, ten minutes or so of beautiful, ambient music.
Frank Ocean, "pyramids": That Ducktails song is 100% in my wheel-house and anyone who knows my taste in music would nod and not be surprised I've been listening to it several times a day for the last couple of weeks. Not sure about this one, and I realize I might be exposing myself to some ridicule, but this is a really bad-ass song. It's also about 10 minutes long and at the half-way mark its time to grab your lady and get your relax on, you guys, "working at the pyramids tonight".....
In other news, here are my two #1 jams going right now, mid-fall, 2012:
Ducktails, "surf's up": Ducktails is the side-project of one of the guys in Real Estate, this is the last song one the self-titled album, ten minutes or so of beautiful, ambient music.
Frank Ocean, "pyramids": That Ducktails song is 100% in my wheel-house and anyone who knows my taste in music would nod and not be surprised I've been listening to it several times a day for the last couple of weeks. Not sure about this one, and I realize I might be exposing myself to some ridicule, but this is a really bad-ass song. It's also about 10 minutes long and at the half-way mark its time to grab your lady and get your relax on, you guys, "working at the pyramids tonight".....
Friday, October 19, 2012
The Roots of Drone
Read about this on Boing Boing and there it is on Spotify. Pretty great (and it's really rainy here in dirty jersey today, so it works).
It's a very varied compilation of artists from "Pipe Major Macintosh" playing, duh, a Scottish reel to Howlin' Wolf, to the Royal Philharmonic all--you guessed it--droning.
It's a very varied compilation of artists from "Pipe Major Macintosh" playing, duh, a Scottish reel to Howlin' Wolf, to the Royal Philharmonic all--you guessed it--droning.
Friday, October 5, 2012
Wednesday, October 3, 2012
Helen Burns
Flea of Red Hot Chili Peppers fame did a solo joint that he put out to raise $$$ for the Silver Lake Conservatory of Music in LA.
It's actually not bad. It has some really nice moments of acoustic bass, trumpet and effects, but then erupts into techno synth workouts, but all in all it works and is enjoyable. It's mostly instrumental with the exception of a cameo by Patti Smith. He plays all the instruments, and is actually a really talented dude.
It's worth a check out for free on Spotify.
dc
Friday, September 28, 2012
Michael Kiwanuka
Buy this man's music. If there's any kind of justice in the universe, this man should be making a comfortable living playing his music. The album is amazing, and I can say from personal experience that his live show is even better.
I saw him last week in Williamsburg, Brooklyn. I guarantee it's the last time I will be able to see this guy from 30 feet away. Next time he blows through town, it will probably be at some enormous venue and I won't even be able to afford the tickets.
His voice was flawless. Soulful as soulful gets. His guitar playing was top-notch. His presence and delivery were enthralling. I was pretty much entranced from the the first song onward. A really great moment was when he took a few minutes to talk about one of his heroes, one of the people that inspired him to even pick up the guitar in the first place. He felt he owed it to his hero to pay respect by playing one of his songs...then he launched into "Waterfall" by Jimi Hendrix and it was incredibly moving. Instead of trying to be like Jimi, he tried to say thank you to Jimi, and it was one of the most open and vulnerable performances I've ever seen.
His band. His band were not just a random group of professional road-warrior types. They seemed like close, trusted friends and they had a vibe of joy to be playing together. None of them were flashy; they were all there to support Michael and support the songs. I think this intention came through with the unbelievable groove they created all night. I mean, they had a pocket that would make any funk band envious. This show is going up there in the top all-time shows I've seen. So, again, check out the songs, and if you like em, support the music and buy some stuff. See a show when he comes through.
I saw him last week in Williamsburg, Brooklyn. I guarantee it's the last time I will be able to see this guy from 30 feet away. Next time he blows through town, it will probably be at some enormous venue and I won't even be able to afford the tickets.
His voice was flawless. Soulful as soulful gets. His guitar playing was top-notch. His presence and delivery were enthralling. I was pretty much entranced from the the first song onward. A really great moment was when he took a few minutes to talk about one of his heroes, one of the people that inspired him to even pick up the guitar in the first place. He felt he owed it to his hero to pay respect by playing one of his songs...then he launched into "Waterfall" by Jimi Hendrix and it was incredibly moving. Instead of trying to be like Jimi, he tried to say thank you to Jimi, and it was one of the most open and vulnerable performances I've ever seen.
His band. His band were not just a random group of professional road-warrior types. They seemed like close, trusted friends and they had a vibe of joy to be playing together. None of them were flashy; they were all there to support Michael and support the songs. I think this intention came through with the unbelievable groove they created all night. I mean, they had a pocket that would make any funk band envious. This show is going up there in the top all-time shows I've seen. So, again, check out the songs, and if you like em, support the music and buy some stuff. See a show when he comes through.
Thursday, September 27, 2012
I Not Only Listen to Noise, I Make It
Going to play an interesting little festival called Cropped Out here in Louisville this weekend. On the bill will be Eugene Chadbourne, Jandek, Lil' B, R. Stevie Moore, Neil Hamburger, Chain & the Gang, Zerang/Gray, and a whole bunch more. I'll be doing the set at an outdoor stage in the middle of the afternoon. That should be interesting.
The e.p. is up on bandcamp. Anybody who wants a free download code let me know.
Ciao!
DC MEGA POST FALL 2012
What's up, dudes. There is so much noteworthy music-related shit popping off right now I don't know where to begin. Mega post.
Last week I went out to Brooklyn to play music with Rootless. The original plan was to go see Gang Gang Dance/Sun Araw, but I had to bail on that to get home and prepare for my kids' birthday party... that will tell you where I am in my life. Anywho, I took the opportunity to hit up Academy Records and throw down on a Birthday present to myself. In addition to others I bought these two on vinyl thinking they were rare:
Sun Araw vs. Eternal Tapestry
Talk about "epic jamz (tm)". I think I posted about Eternal Tapestry before, they are just super rock jams. Sun Araw is a fave, and this actually sounds a lot like his other band Magic Lantern, who are also on the epic jam tip. Recommended for those who don't mind hearing the same awesome riff played over and over again for 15 minutes.
Plankton Wat, "Spirits".
This is the guitarist from Eternal Tapestry. His first record was really dope, but it was more on the Tascam 4-track bedroom recording tip. This is more polished, and eschews harsh sound or rocking jams. This one is droney like raga not droney like noise. Acoustic guitar soli with hand percussion and vintage drum machines? This record is fucking awesome, I've listened to this a million times already.
In a wacky twist it turns out both of these just came out on Thrill Jockey, and they are both on Spotify. It also came with download codes, because Thrill Jockey is good like that, but that doesn't mean that much anymore with the Spotify connection. Thrill Jockey, good looking out!
Digital Digging
I was going through an old Wax Poetics the other day, and came across this ad for Jazzman Records (?), a reissue series of the "holy grail beat digger classic of all times" or whatever. I snapped a pic and then looked them up on Spotify at work. Boom, they are all there, Jazzman has a deal with Spotify... or has a deal with somebody who has a deal with somebody and they have a deal with Spotify. In any event all this stuff is there... a killer Roy Brooks live free jazz record, Bobby Jackson (?) record that is a real nice on the jazz/spiritual jazz tip, and the Marvin Peterson joint is a dynamite soul jazz / blue note groove series type vibe. The Boris Gardener joint, a mix of disco and reggae, not that happening in my opinion, but it's on there as well.
Now a days, you can read a cool interview or get hip to a new artist, and instead of digging in the crates you got to dig on the interwebs. I feel like the great free music download blog era dried up a little bit, don't you? But Spotify is definitely blowing up right now.
Woods
I like the new Woods record a lot. I know some of you probably hate on those guys but I think it's great.
Brain Feeder
Oh shit! Almost forgot about this? This is Flying Lotus' like sub-label on Warp. They put out the new one by The Gaslamp Killer. It took a few listens to grow on me, but I think it's really good. "Holy Mt. Washington" is the jam. It's worth checking out.
But the new Flying Lotus jam, which I would say is "Highly Anticipated", is out next week! NPR has been streaming it all week. I never posted this, but meant to... there was a 15 minute documentary on him on Pitchfork that was pretty cool. He's on the cover of Wax Poetics and The Wire this month. He just played the Hollywood Bowl with Animal Collective. Dude is blowing up. But it's justified. I almost played that album out this week on the NPR thing, it's really good. I'm going to have to get the DELUXE LIMITED EDITION VINYL EDITION because I'm a crack head.
Whew. DC out.
dc
Last week I went out to Brooklyn to play music with Rootless. The original plan was to go see Gang Gang Dance/Sun Araw, but I had to bail on that to get home and prepare for my kids' birthday party... that will tell you where I am in my life. Anywho, I took the opportunity to hit up Academy Records and throw down on a Birthday present to myself. In addition to others I bought these two on vinyl thinking they were rare:
Sun Araw vs. Eternal Tapestry
Talk about "epic jamz (tm)". I think I posted about Eternal Tapestry before, they are just super rock jams. Sun Araw is a fave, and this actually sounds a lot like his other band Magic Lantern, who are also on the epic jam tip. Recommended for those who don't mind hearing the same awesome riff played over and over again for 15 minutes.
Plankton Wat, "Spirits".
This is the guitarist from Eternal Tapestry. His first record was really dope, but it was more on the Tascam 4-track bedroom recording tip. This is more polished, and eschews harsh sound or rocking jams. This one is droney like raga not droney like noise. Acoustic guitar soli with hand percussion and vintage drum machines? This record is fucking awesome, I've listened to this a million times already.
In a wacky twist it turns out both of these just came out on Thrill Jockey, and they are both on Spotify. It also came with download codes, because Thrill Jockey is good like that, but that doesn't mean that much anymore with the Spotify connection. Thrill Jockey, good looking out!
Digital Digging
I was going through an old Wax Poetics the other day, and came across this ad for Jazzman Records (?), a reissue series of the "holy grail beat digger classic of all times" or whatever. I snapped a pic and then looked them up on Spotify at work. Boom, they are all there, Jazzman has a deal with Spotify... or has a deal with somebody who has a deal with somebody and they have a deal with Spotify. In any event all this stuff is there... a killer Roy Brooks live free jazz record, Bobby Jackson (?) record that is a real nice on the jazz/spiritual jazz tip, and the Marvin Peterson joint is a dynamite soul jazz / blue note groove series type vibe. The Boris Gardener joint, a mix of disco and reggae, not that happening in my opinion, but it's on there as well.
Now a days, you can read a cool interview or get hip to a new artist, and instead of digging in the crates you got to dig on the interwebs. I feel like the great free music download blog era dried up a little bit, don't you? But Spotify is definitely blowing up right now.
Woods
I like the new Woods record a lot. I know some of you probably hate on those guys but I think it's great.
Brain Feeder
Oh shit! Almost forgot about this? This is Flying Lotus' like sub-label on Warp. They put out the new one by The Gaslamp Killer. It took a few listens to grow on me, but I think it's really good. "Holy Mt. Washington" is the jam. It's worth checking out.
But the new Flying Lotus jam, which I would say is "Highly Anticipated", is out next week! NPR has been streaming it all week. I never posted this, but meant to... there was a 15 minute documentary on him on Pitchfork that was pretty cool. He's on the cover of Wax Poetics and The Wire this month. He just played the Hollywood Bowl with Animal Collective. Dude is blowing up. But it's justified. I almost played that album out this week on the NPR thing, it's really good. I'm going to have to get the DELUXE LIMITED EDITION VINYL EDITION because I'm a crack head.
Whew. DC out.
dc
Saturday, September 22, 2012
Spotify list
Also, on the shameless self promotion tip, I'm playing Zebulon in Williamsburg next Sunday night so anyone in the area that can check it out should come on out, playing with two other cool acts as well, will be a fun night.
Anoushka Shankar
Steve Lehman Trio
Krzyszstof Penderecki
Jason Urick
Arborea
White Rabbits
Mike Wexler
SBTRKT
First Aid Kid
Young Magic
Nicolas Jaar
Daughter
Tiny Vipers
Daniel Rossen
Eternal Tapestry
PS I love you
The Streets
Olivier Messiean (sp?)
Mary Stallings
Georgia Anne Muldrow, “Seeds”
Mirroring
Hamza El Din
Elliott Sharp
Julia Holter
Japandroids
Evening Sky
Sun Kil MoonVijay Iyer
Sigur Ros
Monogold
Squarepusher
Exitmusic
Cold Specks
Best Coast
Robert Plant/Alison Krauss
The Royalty
Mount Eerie
Forma
Steffen Basho Junghans
Daniel Rossen
Beach House
Lotus Plaza
Georgia Anne Muldrow
Chromatics
Tune-Yards
Valentin Stop
Abdul Hussein Khan Shahnazi
Mike Wexler
Sandy Bull
Branford Marsalis
Peaking Lights
Et Ret
Coil sea
Oneohtrix Point Never
Hot Chip
Tallest Man on Earth
Coil Sea
Philip Glass
Wolfgang Dauner
Fever Ray
Blondes
Lower Dens
Diiv
TNGHT
Friends
Christopher willits
Tanlines
Purity Ring
El Ten Eleven
Ravi Coltrane
Black Lips
Piano Overlord
Tame Impala
Poborsk
perfume genius
cursive
opossom
The Black Swans
Grimes
Bill Fay
Lee Konitz
I am robot and proud
Teen Daze
Dick Hyman
Frank Ocean
Michael Kiwanuka
Growing
Wednesday, September 19, 2012
Black Marble
I know absolutely zero about these guys. I went to the Hardly Art record label's website, and one of the first updates they had there was that their band Black Marble has a new track streaming on The Fader. I listened, and I heard that it was good. A second later I was here to post the link. That is all.
Stream Black Marble "Static"
Stream Black Marble "Static"
Wednesday, September 12, 2012
The new XX Joint!!!
The new XX joint is out! I give it a solid "meh", it's not terrible, and sounds identical to their last one.
Those John Peel sessions are what are killing me... I've found live sets from Godspeed, Boards of Canada, Can, Faust, Syd Barrett... there is a show from 1976 where Peel is trying to get his head around what "punk" is exactly, with live set from The Damned. Yo, that's like 6 of 400+. Goldmine. Good lookin', Igor
dc
Saturday, September 8, 2012
Peel Out
Lots of John Peel sessions here:
I can't remember whether this was already posted here, and I'm too lazy to look, but a lot of cool John Peel stuff is organized here, as well:
John Peel's Record Archive
John Peel's Record Archive
Wednesday, September 5, 2012
Roni Size / Reprazent: In The Mode
I discovered this cd in my stack of discs collecting dust in the closet.Forgot how good this is. Released in 2000 containing 17 tracks of jungle/dnb/break beat/ hybridization. Guest vocals by Method Man, Zack De La Rocha. Lots of tracks with vocals for this type of music, but it works. Lucky Pressure, Idi Banashapan, In Tune With The Sound are dynomiiite!
Monday, August 27, 2012
Long time no see
Hi, guys. How've you been? Here's some stuff I've been introduced to in the past couple of months.
LAG
A DJ from Novi Sad, Serbia who tweaks every sound just beyond the comfort zone, exactly where some aspect of music needs to be if it's going to get your attention. It's noisy and intense, a real enjoyable "fuck you."
Lag - The Snarl by Lag
Autopark
I'm taking this one over the language barrier. These guys are band from Belgrade doing a laid-back, synthy math-rock that reminds me of Mew. The production is surgical as gender reassignment. They also love their vocoders, so it's going to go without saying I really enjoy these guys. The link above is to their latest album, downloadable for free and really, really good.
This is something I tripped over yesterday while trying to find out more about the Personal Space compilation DC had mentione:
Fire Star: Synth-Pop & Electro-Funk From Tamil Films 1984-1989
Here's one of the tracks off of it. About 2:20 the guy really goes off. The vocoders mixed with the chanting is out of this world.
LAG
A DJ from Novi Sad, Serbia who tweaks every sound just beyond the comfort zone, exactly where some aspect of music needs to be if it's going to get your attention. It's noisy and intense, a real enjoyable "fuck you."
Lag - The Snarl by Lag
Autopark
I'm taking this one over the language barrier. These guys are band from Belgrade doing a laid-back, synthy math-rock that reminds me of Mew. The production is surgical as gender reassignment. They also love their vocoders, so it's going to go without saying I really enjoy these guys. The link above is to their latest album, downloadable for free and really, really good.
This is something I tripped over yesterday while trying to find out more about the Personal Space compilation DC had mentione:
Fire Star: Synth-Pop & Electro-Funk From Tamil Films 1984-1989
Tuesday, August 14, 2012
Live Miles
A YouTube gem... Miles live 1971 hour long special.
Via Robert AA Lowe who tweeted this the other day...
dc
Saturday, August 11, 2012
The Black Lips
... where have you been all my life?
Late to the party on that one big time. Been rocking to this all afternoon, also some Ty Segall joints I didn't know about.
dc
Late to the party on that one big time. Been rocking to this all afternoon, also some Ty Segall joints I didn't know about.
dc
Wednesday, August 8, 2012
Piano Overlord
If you don't know, Piano Overlord is a Prefuse 73/Scott Herren side project. The new record is dope, sounds a lot like the prior stuff, maintains the same kind of consistent pseudo-free jazz meets IDM vibe. I've been listening to it a lot. It's bugged out but I still find it soothing and enjoyable.
I'm a big fan of someone with a million side projects that brings the consistent flavor to each a la Madlib. That is, a Lootpack LP is different than a Yesterday's New Quintet record is different than a Madvillain record, etc... Unlike people who reinvent themselves under the same name like... Beck? Nah, not really, but you catch the drift.
This one gets 5 stars from me, and it is on Spotify.
P.S. Chocolate Industries is also behind the comp "Personal Space, Electronic Soul: 1974-1984", a comp of rare, private press regional 45's made with drum machines, casios and commodores and what not. It's worth checking out, and it is also available on my favorite musical app/service SPOTIFY! HATERS GONNA HATE!!!! I LOVE SPOTIFY!!!
dc
Wednesday, August 1, 2012
Tuesday, July 31, 2012
SNOOP LION
so i have been silent for years. don encouraged me to post this after i hipped him to it...
the D-O double G has opened his third eye, and has an upcoming reggae album. Apparently Vice documented the whole album process in Jamaica and will be releasing a film on it.
way better than i imagined, looking forward to the whole album.
Saturday, July 28, 2012
Thursday, July 26, 2012
"Out of Many" Jamaican compilation
http://www.npr.org/2012/07/22/157128975/first-listen-out-of-many-50-years-of-reggae-music
I often forget to check NPR's "First Listen," but this morning I've been loving this. It's the first disc of "Out of Many: 50 Years of Reggae Music." The record is celebrating Jamaica's 50 years of independence. There's one song from each year.
I often forget to check NPR's "First Listen," but this morning I've been loving this. It's the first disc of "Out of Many: 50 Years of Reggae Music." The record is celebrating Jamaica's 50 years of independence. There's one song from each year.
Friday, July 20, 2012
Record Sale in BK Tomorrow
What's up, bros. If you know anyone in Brooklyn who likes Records tell them about my LP sale Stoop Sale tomorrow morning, a'ight??!
http://newyork.craigslist.org/brk/for/3147948559.html
Thanks a lot.
dc
http://newyork.craigslist.org/brk/for/3147948559.html
Thanks a lot.
dc
Friday, July 13, 2012
BMSR
BLACK MOTH SUPER RAINBOW is doing it for self and taking the power back from the man! Check out the details of their kickstarter campaign. Pledge $10,000 and they will fly you out for a roller skate disco party with all you can eat pizza and make your own sundaes.
CHECK THE LINK my friends.
dc
Thursday, July 12, 2012
Hilarious rock show post
I just read this off Brooklyn Vegan about the Lita Ford/Poison/Def Leppard show in NJ last night and I was cracking up, check it out.
Tuesday, July 10, 2012
Daniel Higgs
Daniel Higgs is doing a residency this summer every Monday at Zebulon in Williamsburg and I checked it out last night. I hadn't heard of him, but read his bio on the Thrill Jockey page, and I guess the guy is kind of a cult hero. It was a pretty weird show. When I walked in and said hi to a friend I was given the stink-eye by a pissed hipster and I quickly fell into step; the place was so quiet for the first part of his set that you could hear a pin drop between notes. The music was pretty far out, just Higgs and his banjo, singing sometimes, veering between hippiesh and surrealist poetry, to droney ragas, Americana meets Middle East mysticism. You can tell that Devendra Banhart owes a lot vocally to this dude. The vocal stuff was cool, and I admired the originality and bravery of where he went. But the extended ragas were dope as hell, he's a killer banjo player and his ability to go from Appalachia to Egypt in the span of a few notes is pretty amazing. Some of the people on this blog (BILL ZINK) would totally dig this if they aren't familiar with his stuff already. If anyone is in the NY area in the next few weeks, check it out.
Oh, and on the shameless self-promotion tip, here's my latest rootless track.
Oh, and on the shameless self-promotion tip, here's my latest rootless track.
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